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poster

44

36

5.1

/3406/

48

/51/

51

/74/

3.0

/1607/

32

/25/

29

/183/

44

/7/

A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.

poster

59

21

6.1

/348/

55

/13/

57

/23/

3.2

/1105/

Considered the first motion picture to employ both color and sound, the only film record ever made of the original star of Rostand's famous play performing a scene from his most famous role. It is accompanied by a sound-on-cylinder recording of Coquelin's voice reciting one of Cyrano's speeches.

poster

56

21

5.7

/366/

46

/13/

56

/20/

3.0

/1465/

“Showing the entire height of this wonderful structure from the base of the dome and return, with the great Paris Exposition in the background, looking down Champs de Mars. A most realistic picture.” According to Edison film historian Charles Musser, this film features the first camera tilt among the company's surviving oeuvre.

poster

67

17

7.1

/423/

67

/14/

63

/22/

3.4

/375/

A wildcat escapes from the zoo, disguises herself as a skunk to fool her pursuers, but that only attracts lovestruck Pepe le Pew.

poster

57

12

6.0

/296/

48

/5/

59

/16/

3.2

/398/

“A marvelously clear picture taken from the top of the elevator of the Eiffel Tower during going up and coming down of the car. This wonderful tower is 1,000 feet in height, and the picture produces a most sensational effect. As the camera leaves the ground and rises to the top of the tower, the enormous white city opens out to the view of the astonished spectator. Arriving at the top of the tower, a bird's eye view of the Exposition looking toward the Trocadero, and also toward the Palace of Electricity, is made, and the camera begins its descent. The entire trip is shown on a 200-foot film. 30.00. We furnish the ascent in 125 foot film.” (Edison film catalog)

poster

55

10

5.4

/285/

51

/7/

52

/15/

3.1

/323/

The movie consists solely of a saber fight. Bernhardt plays a cross-gender Hamlet, and Pierre Magnier is her fellow duelist, Laertes. A few bystanders, in Rennaissance dress, stand off to the right of the screen, and in the background, next to a painted backdrop.

poster

52

8

5.3

/234/

40

/5/

54

/12/

3.1

/251/

Shows all the prominent buildings on this thoroughfare, ending with a close view of the base of the Eiffel Tower, with the Trocadero Palace in the background.

poster

52

8

5.3

/229/

40

/5/

53

/12/

3.1

/247/

A panoramic shot, making a full circle, at the 1900 Paris Exposition. It begins and ends looking at the front of the Palace of Electricity. As it pans, first we see a workman hosing down the promenade. Men and women walk past, all wearing hats. We see the base of the Eiffel Tower, which the Palace faces. A couple strolls. A mother and daughter walk passed, father is slightly ahead wearing a boater. Three men in uniform walk toward the camera as it comes to a stop facing the Palace.

poster

45

7

4.7

/235/

32

/4/

41

/11/

3.0

/274/

The single camera position is from the top of a building identified as the Trocadero Palace; The camera is pointed toward the Eiffel Tower. The film shows only up to the first arch of the Eiffel Tower.

poster

?

7.3

/257/

In the Visionarium, the Timekeeper is a robot testing a new time machine. Because of the potential dangers, he sends his assistant, the robot 9-Eyes, into the machine. The test works and she travels through all eras. Arriving in the nineteenth century, it was discovered by the author Jules Verne who grabbed it. Wanting to bring her back to the present, the Timkeeper also takes the author who decides to travel through our time.

poster

?

5.3

/88/

55

/4/

65

/3/

Shot both on and from an elevated electric train.

poster

?

5.1

/86/

40

/1/

Only 15 seconds remain of this lost short about the famous garden scene in Romeo and Juliet

poster

?

5.2

/27/

55

/2/

10

/1/

The Phono-Cinéma-Théâtre was a special pavilion at the 1900 Paris World's Fair which featured filmed performances presented with sound via wax cylinder recordings. Many of these short films were also presented in hand-tinted color. The performances ranged from theatre (Coquelin the eldest, Gabrielle Réjane, Sarah Bernhardt, Félicia Mallet), opera & operetta (Mariette Sully, Emile Cossira, Jeanne Hatto, Mily-Meyer, Désiré Pougaud), to café concert & music hall variety (Footit et Chocolat, Mason and Forbes, Little Tich, Brunin, Polin, Jules Moy) and dance (Blanche and Louise Mante from the Paris Opera, Carlotta Zambelli, Michel Vasquez, Rosita Mauri, Jeanne Chasles, Achille Viscusi, Christine Kerf, Cléo de Mérode).

poster

?

3.9

/15/

57

/4/

60

/1/

An actuality film of the 1900 Paris Exhibition, shot from a boat travelling down the Seine.

poster

64

?

7.1

/192/

51

/6/

53

/9/

3.5

/216/

Nicole Védrès' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.

?

5.4

/90/

63

/3/

60

/2/

Inauguration of the Expo.

?

4.7

/91/

36

/3/

50

/3/

Throngs of men in top hats walk past the camera.

poster

50

?

5.4

/132/

34

/5/

44

/5/

3.4

/267/

Stairs from the Pont de l'Alma.

poster

?

5.2

/94/

42

/7/

67

/3/

This panoramic scene is taken from a Seine steamboat and gives a rapid view of the banks of the river...

poster

?

4.3

/98/

40

/5/

33

/3/

The picture opens with a crowd of Swiss boys and girls dressed in native costumes, marching down the street in this very unique and picturesque village. Each happy and smiling face is clearly shown as they pass the camera. The scene ends by the boys and girls congregating in the square and dancing to the strains of an accordion played by one of the happy villagers.

poster

?

3.7

/76/

40

/6/

60

/2/

The scene opens by showing the village girls driving home a herd of cows, and shows the native peasantry of Switzerland returning from their daily occupation watching the herds. After driving the cattle to their shelter, the boys and girls congregate in front of the old barn and go through a native dance, to the amusement of the spectators. These pictures are marvelously clear and distinct, showing every feature of the participants.

poster

?

4.3

/75/

45

/4/

56

/5/

Taken from an automobile. This picture was taken during the fashionable driving hour, making a complete circle of the Place de la Concorde, passing hundreds of carriages and busses. The beginning of the picture shows the historical church of the Madeleine in the background, the picture ending by approaching and running under the main entrance to the Paris Exposition.

?

4.6

/86/

41

/5/

37

/3/

Beginning with the camera pointing toward the Invalides entrance, with the tomb of Napoleon in the background. The camera is slowly revolved until it rests upon the new and beautiful bridge of Alexander III, showing the immense crowds entertaining the Exposition.

poster

72

?

8.1

/438/

68

/10/

69

/10/

A collection of short films made by the Lumiere brothers, a team of pioneering filmmakers in turn-of-the-century France, narrated by Bertrand Tavernier.

poster

?

7.2

/27/

10

/1/

70

/1/

About the Lumière brothers

poster

?

4.7

/107/

38

/7/

55

/4/

An early short with a self-explanatory title.

?

4.8

/81/

45

/5/

60

/2/

Overview of the Alexandre III bridge during the World Exhibition in Paris.

poster

?

4.9

/112/

35

/4/

53

/3/

The 1900 Paris World's Fair as seen from Trocadéro.

54

?

5.6

/139/

45

/5/

53

/7/

People riding on a moving platform / walkway.

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