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poster
Kanopy
66
7.2
/89412/
73
/1924/
71
/1130/
3.7
/81448/
64
/53/
79
/2147/
53
/19/
cc age 13+

The Hudsucker Proxy (1994)
A naive business graduate is installed as president of a manufacturing company as part of a stock scam.
poster
75
51
7.5
/2609/
73
/33/
61
/35/
3.5
/1163/
100
/7/
74
/21/

The Solid Gold Cadillac (1956)
Laura Partridge is a very enthusiastic small stockholder of 10 shares in International Projects, a large corporation based in New York. She attends her first stockholder meeting ready to question the board of directors from their salaries to their operations.
poster
49
5.5
/1939/
57
/23/
59
/36/
3.3
/2530/
20
/15/
49
/28/

Boom! (1968)
Explores the confrontation between the woman who has everything, including emptiness, and a penniless poet who has nothing but the ability to fill a wealthy woman's needs.
poster
70
46
6.9
/1762/
61
/46/
63
/59/
3.9
/5573/
83
/18/

The Act of Seeing with One's Own Eyes (1972)
At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton
poster
65
15
6.6
/921/
64
/15/
67
/12/
3.3
/343/

Two of a Kind (1951)
A con woman and a lawyer get a carnival grifter to pose as an elderly rich couple's long-lost son.


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