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poster

64

?

6.8

/114/

60

/2/

57

/3/

3.5

/223/

Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.

poster

?

6.4

/57/

62

/4/

53

/3/

Fatimetu returns to the Wilaya of Smara for the funeral of her mother, after 16 years living in Spain. There she meets her brother Jatri, who is expecting his first child with Aichetu his wife, and her sister Hayat. Jatri tells her that she has inherited the family Khaimah and must care for her sister. Fatimetu reluctantly accepts the last will of her mother, though she is not sure how to take care of her sister as she can barely take care of herself.

poster

?

8.1

/9/

A revealing story about Saharawi refugees, their identity, and their exile of more than 40 years in the Algerian desert where they have built up a State based on universal health care and education.

poster

54

?

6.7

/110/

40

/3/

Stolen is a 2009 Australian documentary film that uncovers slavery in the Sahrawi refugee camps controlled by the Polisario Front located in Algeria and in the disputed territory of Western Sahara controlled by Morocco, written and directed by Violeta Ayala and Dan Fallshaw. It had its world premiere at the 2009 Sydney Film Festival,[1] where a controversy started after one of the participants in the documentary, Fetim, a black Sahrawi, was flown to Australia by the Polisario Liberation Front to say she wasn't a slave.

poster

?

The film situates the viewer within a makeshift space of an animal market in Algeria. Drifting between feeding and waiting, one attunes to the bodies of goats and camels, the oldest companions of Arab men. As we move deeper into the desert, the site turns into a sacrifice zone and reveals its dark geopolitical secrets. The sensory ethnography film will invite you to question the banality of displacement, confinement and exploitation in an out-of-sight territory.

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