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poster

63

20

6.2

/417/

67

/15/

59

/32/

3.2

/546/

Minnie is baking cookies. When she leaves for a short while, her dog Fifi accidentally drops popcorn kernels in the dough. Mickey and Pluto come over and visit with Minnie and Fifi. When Mickey notices that something is burning, Minnie remembers the cookies, which are popping popcorn out of them. Minnie is upset and lies on her sofa crying. Mickey goes out and buys a large amount of cookies and crackers. He comes back and shows them to her and she is overjoyed. The short was originally a theatrical advertisement for the National Biscuit Company (now known as Nabisco), where all of the products seen are various Nabisco products (i.e. Ritz Crackers, Oreo Cookies, Fig Newtons, etc.). These would later be edited out and replaced with generic-brands in television broadcasts and home video releases.

poster

?

8.1

/22/

This film shows an aeroplane trip from Los Angeles to New York. Points out the excitement and the poignancy of partings and greetings and the unique visual experience of flying. It was on display at the New York World's Fair 1964-1965.

poster

?

6.7

/40/

10

/1/

A tour of the United States. A Circarama (360 degree) film which originally opened at the Brussels World’s Fair in 1958 and was brought to Disneyland in 1960.

poster

?

5.5

/17/

10

/1/

40

/1/

IMAX documentary about the Suncoast Seabird Sanctuary, FL, USA Made for exhibition at the Expo '85, Tsukuba, Japan.

?

10

/1/

This triple screen animated short was one of the films screened at the revolving theatre in the Canadian Pavilion at Expo 67. This was later shown at the Odeon Theatre, Leicester Square in London. The theatre's projectors had to be unbolted from the floor and moved to properly screen the film. The Canadian Pavilion at HemisFair '68, in San Antonio, Texas, also featured this film. It presents Canada’s English, Scottish and French colonial settler heritages, but notably excludes any Indigenous participation in the formation of the nation. Each identity is enacted through an upright piano engaged in a discordant, dueling piano cacophony.

poster

?

6.2

/14/

10

/1/

A look at the various modes of transportation made for the Expo '86 World Fair in Vancouver, Canada.

poster

?

7.3

/365/

This film tells the history of the United States from pre-Revolution through 1939.

poster

?

8.4

/6/

10

/1/

A multi-screen presentation at the Ovoid Theater of the IBM Pavilion of the New York World's Fair.

?

5.8

/30/

26

/3/

55

/4/

Charles and Ray produced this film for IBM’s pavilion at the 1958 Brussels World’s Fair. The Information Machine was the first completely animated project produced by the Eames Office. Intended as an introduction to the electronic computer, the film depicts the computer as the culmination of the tools and systems we have created over the centuries to process information. It also explores how humans solved problems both before and after this technology was invented. The Information Machine is ultimately the story of our continual need to process and communicate larger and more complex amounts of data, and how we learn to manipulate abstractions with increasing sophistication and skill.

poster

?

6.8

/9/

10

/1/

The first film produced in IMAX DOME 3D, this film shows how photosynthesis converts sunlight into stored energy in plants, which subsequently provide energy to animals and man

poster

?

6.8

/17/

10

/1/

This new evangelistic film epic, specially produced for this Gospel witness at the World's Fair, undertakes to describe man's "fifth" dimension -- the life of the human spirit. In swift sequence the giant galaxies, tiny microscopic organisms, cultures and civilizations of the heroic past are summoned to bear testimony to the Glory of God and the spiritual nature of man. Then the story narrows down to one solitary individual, Jesus Christ, the Carpenter of Nazareth, and the effect of this Man upon the world. The film closes on a highly personal note as Mr. Graham invites viewers to receive Christ as Savior and Lord.

poster

?

7.0

/27/

10

/1/

60

/1/

From hardware to software, the basics of then-current computing technology is explained.

poster

62

?

6.6

/119/

50

/2/

71

/7/

"To Be Alive!" was designed to celebrate the common ground between different cultures by tracing how children in various parts of the world mature into adulthood.

poster

52

?

5.3

/217/

41

/5/

62

/5/

"An average American family", the Middletons, visit the 1939 World's Fair and witnesses the advent of future technology, encountering robots and dishwashers for the first time.

poster

?

6.7

/17/

10

/1/

WE ARE BORN OF STARS is the first Anaglyph single projector 3D film created for IMAX/IMAX Dome projection. Using computer graphics, the film traces the development of life from the formation of atomic nuclei in stars to the molecular structure of water and DNA, zooming the audience through the five-billion-year evolution of our solar system.

poster

?

70

/1/

N/A

poster

?

6.1

/66/

10

/1/

This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.

poster

?

2.1

/14/

10

/1/

In 1961 Turin celebrated the centenary of the Italian unity with a large exposition which lasted from May till October of that year. One of the most popular exhibits was the 28 minute documentary ITALIA ´61 IN CIRCARAMA which was produced by the Walt Disney company and sponsored by the Italian automobile manufacturer Fiat. The spectacular views of this Cinerama tour of Italy (filmed with nine cameras) impressed more than two million visitors during the entire duration of that Turin Expo.

poster

?

7.7

/25/

72

/4/

This film was originally made in black-and-white 3-D for the 1939 New York World's Fair, and proved so popular that it was remade in 1940 in color and 3-D.

poster

29

?

3.2

/205/

20

/3/

36

/11/

Two perky teens explore every inch of the telephone exhibit at Seattle's fair.

poster

?

7.2

/9/

10

/1/

50

/1/

Impressions of contemporary British arts and fashion. Summary of art through the ages taking in every thing from Mary Quant to the Marat/Sade production. Made for the Montreal "Expo '67" exhibition.

poster

59

?

6.3

/128/

51

/8/

65

/4/

The simple actions of a young boy on the beach provide visual metaphors for the normally unseen world. The camera adds a profound dimension to what the boy has seen, giving us a deeper understanding of visual awareness.

poster

68

?

7.8

/262/

53

/3/

68

/4/

3.7

/292/

Three kingdoms, floating separately in space, can each see the other nearby kingdoms but have no means to communicate or visit. Each has developed a fanatical obsession for a specific color for clothing, architecture, and even plant life: one blue, one red, one golden. A forbidden inter-kingdom romance and a war of conquest ensues when a means of travel between the kingdoms is abruptly found. This short film was created for Expo 86, the World Fair in Vancouver in 1986.

?

Created for the 1982 World's Fair, ENERGY! ENERGY! takes us in spectacular leaps from 17th century, where muscle power was the principle energy source, through the early use of wind and water mills, and we experience the coming of the Industrial Revolution, the steam engine, and the motor car. The film portrays the vitality and the problems of our modern technological society and our dependence upon fossil fuels while it explores dramatic new possibilities for the future.

?

6.8

/6/

This film was the main attraction at the Texas exhibit at the New York World's Fair of 1939-1940.

?

A playful, partially animated vision following the manufacture and assembly of a Ford V8 motor-car.

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