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poster
79
41
8.0
/905/
72
/16/
81
/25/
4.2
/2389/

Pictures of the Old World (1972)
A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolated human experiences.
poster
?
8.0
/24/
60
/1/

Bucharestless (2011)
A city-vérité conceptual movie shot in Bucharest, the capital of Romania. With an outside-the-box cinematic perspective, a full-encompassing soundtrack, a sequential narrative approach and no dialogues, the film slices through the urban soul and the contemporary spirit of a city formerly known as "Little Paris".
poster
?
5.5
/50/

The Soul Detective (2009)
A detective enters a train car where he finds different manifestations of a force that haunts the place. Using his telepathic powers he tries to enter the mind of a recently deceased man before all his memories vanish.
poster
?
7.2
/249/

Trains of Thoughts (2012)
An audio-visual essay, which reflects upon & compares metro systems around the world. It is an exploration of a world inside the world as well as feelings, fascination, obsession, fear and themes - of survival, control & silence.
poster
?
7.3
/78/
60
/2/
55
/2/

Back to Room 666 (2008)
What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.
poster
?
6.5
/24/
55
/2/

San Yuan Li (2003)
San Yuan Li, the collaborative project by Ou Ning, Cao Fei, and the members of U-thèque Organization, is a case study of the typical “urban village” phenomenon of Guangzhou in 1990s. Armed with video cameras, the crew penetrated San Yuan Li as “city flâneurs,” presented a highly stylized portrait of the village, attempting to rethink the debt of history, to document the confrontation and reconciliation between the newly urbanization and the patriarchal-clan-based traditional community, as well as the weird architectures and cultural landscape emerging from this previously rural area. At the end, all the colored footages were eidted into a piece of black-and-white video poetry. The project was exhibited in the 50th Venice Biennale for the first time, and then screened worldwide.


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