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poster

75

7.0

/7876/

71

/701/

70

/675/

3.8

/128828/

94

/18/

78

/7/

73

/6/

3.0

In the middle of a performance of the play "Le Cocu", a bad boulevard comedy at a Parisian theatre, Yannick gets up and interrupts the show to take the evening back in hand.

poster

78

41

7.4

/951/

76

/13/

71

/24/

3.9

/1063/

80

/5/

89

/18/

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

poster

64

14

6.7

/359/

67

/14/

54

/12/

3.4

/647/

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.

poster

63

12

7.0

/394/

51

/7/

64

/16/

3.5

/260/

André Fragman, nicknamed "Fairbanks" after his childhood idol by his film projectionist father, returns home from military service. He meets and falls in love with Marie, an aspiring actress who is rehearsing for a stage production of 'Alice in Wonderland'. All his attempts to find a job and a way out end up in failure, his friends Étienne and Jean-Pierre are powerless to help him, and the dreamy yet desperate hero loses his mind.

poster

?

4.8

/12/

10

/2/

50

/1/

After the attacks in Paris in 2015, Raphael Mehlman is really aware of his Jewishness. His brother, the writer Joël Mehlman, develops a novel then gets lost between his characters and reality, mixing his fiction and his own life.

poster

65

?

6.6

/241/

55

/5/

67

/6/

3.6

/403/

Manoel de Oliveira plays his film in three stages: the first part - a play, the second can be roughly defined as a silent film (with the behind the scenes read excerpts from Beckett works), but in the end the director brilliantly performs the same material of the avant-garde exercise. Surprisingly, a joke, repeated three times, each time everything sounds fresh and develops into an almost verbatim adaptation of the biblical "Book of Job" - a spectacular point in a parable about how hard to empathize with other people's misery, when you have your own.

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