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poster

76

38

7.6

/1299/

65

/20/

71

/29/

4.0

/4219/

92

/8/

An impassioned three-part documentary of the liberation struggle waged throughout Latin America, using Argentina as a historical example of the imperialist exploitation of the continent. Part I: Neo-Colonialism and Violence is a historical, geographic, and economic analysis of Argentina. Part II: An Act For Liberation examines the ten-year reign of Juan Perón (1945-55) and the activities of the Peronist movement after his fall from power. Part III: Violence and Liberation studies the role of violence in the national liberation process and constitutes a call for action.

poster

59

22

5.8

/3714/

57

/4/

60

/2/

3.2

/799/

A musical-drama film about the struggles of common people who became victims of Martial Law in the '70s. Based on the 2016 musical play of the same name, Katips is a tale of the young, in their fight for their ideals, how big can one get against a force too much bigger than yourself.

poster

44

?

4.4

/164/

45

/2/

As the EDSA Revolution unfolds, a mother, son, and daughter who live in a slum near Malacañang Palace grapple with the murder of their patriarch in the hands of corrupt policemen, turning from passive victims of social injustice into active participants in the final hours of the uprising.

poster

58

?

6.8

/220/

45

/2/

64

/7/

An anthology of stories about the indigenous Nenet peoples of the Northern Russian tundra, and how their way of life was disrupted by the advent of Soviet power.

poster

?

In Havana in the nineteen sixties, there were 140 movie theaters. Only a dozen remain today. For ten years, the cinema industry was a pillar of the Cuban Revolution, but the regime’s hardening and the economic recession precipitated its decline. Fifty years later, only a dozen movie theaters are still running in Havana, while a new generation of bold filmmakers struggles for the very existence of Cuban cinema. In the Heat of the Cold Years tells the story of Revolutionary Cuban cinema through the memories of a choral of elder filmmakers, such as Luciano Castillo, the director of the national film archives, as he scrambles for the preservation of this crumbling cultural legacy, and through a group of young Cuban filmmakers struggling to make their first feature film.

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