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poster

81

7.2

/132201/

70

/4692/

70

/1525/

3.9

/733154/

93

/337/

80

/523/

90

/57/

4.0

age 17+

When an innovative modern architect flees post-war Europe, he is given the opportunity to rebuild his legacy. Set during the dawn of the modern United States (in Pennsylvania), his wife joins him, and their lives are forever changed by a demanding, wealthy patron.

poster

79

14

7.7

/305/

77

/8/

90

/2/

3.6

/799/

81

/10/

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

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10

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100

/1/

An award-winning wordless documentary that explores the architecture of the then new St. Peter's Seminary which is now seen as one of the most important post-war buildings in the United Kingdom. The film was made in celebration after architect Jack Coia was awarded the RIBA Gold Medal in 1969. Winner of the Medalla de Bronce at the Fifth Union of International Architects Festival in Madrid (1975).

poster

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8.9

/15/

50

/1/

A visual journey through Norwegian modernist church architecture. A short documentary film that pays tribute to the Norwegian church and post-war postmodernist architects for its daring reform of the 50-70's innovative church building. Raw concrete and cold clean lines in a functionalist style were in line with society's development, but in stark contrast to what the church had previously represented. The film portrays 25 of these churches from all over the country

poster

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6.5

/8/

5

/2/

The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.

poster

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10

/1/

85

/2/

Features live footage from the Greed/Holy Money tour in 1986 in London and Nottingham and the A Long Slow Screw video.

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A Dalek leaves its work station in search of its missing neighbour

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N/A

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Beneath towering Brutalist architecture, a man is driven to do what must be done.

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Black giants break classical architecture and rebuild them into Brutalistic structure.

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In a corporate world where people walk backwards, Minus needs to control his instincts to fit in society and climb the social ladder.

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"A Brutalist film-poem about the nature of a family tree and the macabre ancestral tales that work their way into your identity, whether you like it or not. A collaborative work that blends the poetry of Adelle Stripe, the music of C.A.R., and my hand-processed Super 8 imagery." — M.J.

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