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poster

57

34

5.8

/901/

53

/32/

57

/55/

3.1

/2277/

Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.

poster

55

30

5.4

/877/

53

/30/

55

/47/

3.0

/1388/

Country rube thinks what he sees on the movie screen is real. He jumps out of his seat to try to stop a kissing scene.

poster

58

27

5.8

/770/

55

/22/

58

/38/

3.1

/1037/

A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.

poster

54

27

5.5

/767/

53

/23/

50

/32/

3.0

/1614/

The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and paddles. He's over-matched. What will become of the mission, its defenders, and its occupants?

poster

55

15

5.4

/487/

54

/9/

52

/20/

3.1

/516/

A train heads for a tunnel. In one car, a restless man smokes, and a woman is reading on the seat opposite him. In the darkness of the tunnel, he rises, crosses over to her seat and the two share a willing embrace and kiss. The train steams out of the tunnel toward us and past us. A Bamforth Films remake of George Albert Smith's The Kiss in the Tunnel (I) (1899).

poster

55

11

6.1

/287/

56

/6/

50

/13/

3.3

/540/

45

/5/

A painfully shy noodle-shop owner and a prostitute have a chance encounter when destiny arrives in the form of a car accident.

poster

?

7.1

/21/

10

/1/

100

/1/

Saddled with a slavish, boring laundry job and no social life whatsoever, Kikuchi rarely leaves his bare apartment except to follow home and spy on a supermarket check-out girl. But there's no one he can tell about his secret passion, least of all his gawping, work-shy colleague. Even a stray kitten can't alleviate Kikuchi's frustration; clearly, something's got to give... This first film by a former manga illustrator, a terse and enigmatic blend of black comedy and psychodrama, has been compared to both Eraserhead and Chantal Akerman's Jeanne Dielman; another point of reference might be the slow, deceptively banal domestic dramas of Ozu, with whom Iwamoto shares a penchant for a mostly static camera, simple compositions, and an eye for the absurd details of everyday life.

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