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poster

76

49

7.5

/1697/

69

/30/

77

/27/

3.7

/892/

89

/18/

67

/16/

87

/8/

The three-hour-long documentary covers 25 years in the life of Nicolae Ceaușescu and was made using 1,000 hours of original footage from the National Archives of Romania.

poster

79

43

8.0

/732/

72

/18/

78

/16/

4.1

/1770/

86

/158/

A minute-by-minute chronology of the Romanian revolution in December 1989 in Bucharest. This cinematic montage of live footage from the state television company TVR and video taken by numerous amateurs becomes a new media-based form of historiography.

poster

74

29

7.3

/952/

72

/27/

74

/27/

3.6

/1623/

82

/2/

Film journalist and critic Rüdiger Suchsland examines German cinema from 1919, when the Republic of Weimar is born, to 1933, when the Nazis come into power. (Followed by Hitler's Hollywood, 2017.)

poster

73

25

7.1

/189/

67

/4/

46

/5/

3.6

/712/

100

/8/

83

/3/

A person’s culture is something that is often described as fixed or defined and rooted in a particular region, nation, or state. Stuart Hall, one of the most preeminent intellectuals on the Left in Britain, updates this definition as he eloquently theorizes that cultural identity is fluid—always morphing and stretching toward possibility but also constantly experiencing nostalgia for a past that can never be revisited.

poster

?

6.8

/56/

70

/3/

62

/6/

In both his private and public life, Foucault often contradicted himself, especially when his ideas collided with the institutions where he worked. Contemporary critics and philosophers reframe their legacy in an effort to build new ways of thinking about his struggle against the mechanisms of domination within society, demonstrating how the conflict lies at the heart of his life and work.

poster

?

6.9

/61/

10

/1/

70

/2/

Cinema has long fed our fascination with other cultures, and appears to be just one facet of what is a fundamentally visual fascination. One of the most elaborate manifestations of this was the 1931 Exposition Coloniale Internationale, held in Paris to celebrate ‘la France des 5 continents’. This exhibition sought to represent to the people of France their colonial world by reordering and reconstructing it into scenes or tableaux of everyday indigenous life. This entailed shipping over scores of indigènes and forcing them to act out the gestures of their ‘everyday lives’ under the eyes of 1930’s Parisian society. A slightly less elaborate, although equally controversial at the time, visual representation of The Other was one of the first film documentaries to be made which sought to represent the lives of a colonised people, Marc Allégret’s Voyage au Congo.

poster

?

5.1

/15/

25

/2/

An educational short about families from around the world, what they eat and how they cook.

poster

57

?

7.0

/134/

45

/2/

57

/9/

An examination of the evolution of commercials as an artistic medium, featuring interviews with media luminaries who relate how the in-your-face stylistic conventions of commercials have influenced feature films and the visual arts. A documentary film talking about art and advertising divided in three parts: 1. Crossing Over - from cinema to ads from ads to cinema 2. Humour - How humour affects us in advertising 3. Shock - The way shock is used to sell

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