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poster

84

7.7

/110421/

74

/5558/

73

/3250/

3.9

/280576/

95

/61/

83

/3768/

96

/18/

4.0

age 6+

Walt Disney's timeless masterpiece is an extravaganza of sight and sound! See the music come to life, hear the pictures burst into song and experience the excitement that is Fantasia over and over again.

poster

82

8.4

/39730/

81

/1433/

80

/669/

4.2

/37155/

75

/77/

87

/439/

65

/24/

4.0

Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

poster

71

7.1

/43707/

72

/2493/

69

/1348/

3.6

/82405/

80

/84/

75

/1474/

59

/27/

3.0

age 6+

Blending lively music and brilliant animation, this sequel to the original 'Fantasia' restores 'The Sorcerer's Apprentice' and adds seven new shorts.

poster

69

64

7.1

/5206/

68

/179/

71

/132/

3.9

/18739/

56

/9/

73

/371/

age 5+

Princess Yum Yum falls in love with Tack and saves him from being executed. Later, when the protective orbs of the palace get stolen, Tacka and Yum Yum set out to find them and save the kingdom.

poster

54

5.6

/3156/

56

/104/

50

/59/

3.1

/3529/

59

/41/

36

/3/

65

/13/

2.0

Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.

poster

70

50

7.2

/2052/

68

/71/

65

/66/

3.9

/21387/

A symbolic reflection on issues of female sexuality, art and identity constructs.

poster

74

49

7.5

/1769/

72

/53/

73

/45/

3.8

/2329/

Animated work detailing the unrequited love that a line has for a dot, and the heartbreak that results due to the dot's feelings for a lively squiggle.

poster

73

47

6.2

/1492/

57

/39/

65

/43/

4.0

/7400/

100

/9/

78

/3/

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

poster

64

46

6.4

/2394/

57

/57/

63

/110/

3.5

/7525/

Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.

poster

56

46

5.3

/3349/

50

/68/

52

/91/

3.5

/9992/

56

/43/

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

poster

71

45

6.3

/1541/

56

/37/

61

/50/

3.6

/1947/

100

/9/

78

/3/

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

poster

65

40

6.7

/1159/

59

/35/

63

/51/

3.6

/2153/

A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

poster

60

33

6.8

/1224/

59

/33/

65

/38/

3.6

/2163/

40

/6/

Mel Brooks is an old man watching abstract animations.

poster

71

31

7.2

/416/

71

/14/

65

/20/

3.8

/2235/

A study of human anxieties about beauty, youth and objectification.

poster

63

30

5.9

/1187/

52

/45/

53

/64/

3.4

/4972/

82

/1/

After the title, a white screen gives way to a series of frames suggestive of abstract art, usually with one or two colors dominating and rapid change in the images. Two figures emerge from this jungle of color: the first, a shirtless man, appears twice, coming into focus, then disappearing behind the bursts and patterns of color, then reappearing; the second figure appears later, in the right foreground. This figure suggests someone older, someone of substance. The myth? Preserved by the Academy Film Archive in 2012.

poster

43

30

4.6

/1223/

36

/19/

42

/54/

3.0

/2876/

31

/494/

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

poster

67

23

7.3

/433/

58

/11/

62

/24/

3.8

/865/

In this short film Bert Haanstra gives his vision - from the water – of a tranquil Holland. During filming he held the camera upside down and afterwards put the images ‘up right’ again in the film. By doing this, we see the ‘usual’ waterfront, but transformed by the rippling of the water. In this way Mirror of Holland became a modern looking experimental film. However this did not devalue the Dutch sentiment regarding waterfronts that are so trusted to so many.

poster

74

22

7.6

/621/

76

/12/

72

/23/

3.6

/695/

Porky tries to relax on a hunting and fishing trip, but Daffy, smugly pointing out the "No Duck Hunting" signs, subjects him to constant irritation. Then the "Duck Hunting Season Open" signs start going up.

poster

55

22

5.6

/445/

47

/21/

49

/26/

3.4

/1083/

Animation using cutout animation to craft a bizarre science fiction experiment. Moving spheres, such as balloons and bubbles, are superimposed on static backgrounds to suggest travel and discovery.

poster

64

19

6.2

/484/

67

/8/

57

/17/

3.4

/1011/

An abstract animation from Walter Ruttmann.

poster

58

18

5.8

/350/

55

/16/

56

/25/

3.3

/686/

An animated commercial for tire company Excelsior Reifen.

poster

55

17

6.0

/56/

44

/5/

58

/4/

6.0

/2205/

It's bedtime and Nonoko is about to go to sleep. But the play of light and shadow on those objects on the wall, look almost like - a person.

poster

64

17

6.5

/501/

61

/8/

58

/10/

3.6

/955/

The reunion of a group of former medical students results in a flood of bitter memories.

poster

38

15

3.5

/563/

23

/9/

36

/23/

2.9

/1012/

Footage of John Giorno sleeping for five hours.

poster

63

15

6.4

/802/

57

/21/

59

/16/

3.3

/579/

70

/3/

A young man's tragic death at Beirut's seaside causes his friends to grapple with loss and to partake in his community's rites and ceremonies, exposing the city's schisms and its society's fault lines

poster

61

13

6.9

/411/

53

/6/

53

/11/

3.5

/597/

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

poster

58

11

5.7

/235/

50

/10/

62

/10/

3.2

/629/

An advertisement for Kantorowicz-Liköre, wherein our protagonists suffer no ill effects whatsoever from consuming alcohol.

poster

34

6

4.2

/413/

41

/19/

39

/14/

14

/1/

Ogden Confer is a community college student living with his parents and dealing with the recent loss of his best pal, Rose, when he foils the suicide effort of a mysterious young lady, Beth, who proceeds to make him pay for not minding his own business.

poster

?

2.7

/134/

N/A

poster

?

70

/1/

A painter unleashes his craft onto a blank canvas.

poster

?

5.5

/45/

50

/1/

55

/2/

A film by James Whitney.

poster

?

10

/1/

Originally commissioned by the Sony Corporation of Japan and performed live on the JumboTRON, a fourteen-story TV set at the Expo in Tsukuba, Japan, Adelic Penguins is a collaboration between Fitzgerald, artist Paul Garrin, and composer Ryuichi Sakamoto (who also appears as a performer). Structured in six segments, this technical tour-de-force is a pyrotechnic fusion of sound and image, in which the dynamic visual imagery fully complements and heightens Sakamoto's staccato, percussive score. Fitzgerald and Garrin merge terrestrial and interplanetary worlds, in which Sakamoto's figure becomes an integral part of the landscape. Set aloft in the surreal world of the artists' invention, Sakamoto dances, floats and walks through a hyperkinetic universe.

poster

?

100

/1/

Amongst the contemplative static shots of decaying architecture weaves an abstract narrative unveiling the life-cycle of a higher perception, too large to perceive. Shot at various sites across south-east England, INFRASTRATA is a study on the concept of super-organisms, and the relationship between structure and nature.

poster

?

10

/1/

A poet among architects and an innovator among educators, John Hejduk converses with poet David Shapiro at The Cooper Union about the mystery and spirit of architecture. His own sketches and structures are shown

poster

?

7.2

/54/

In a world of geared figures, where the rules are set and possibilities are limited, each individual runs along his or her own track. Sometimes there are encounters, brief moments of shared intimacy, but isolation and mechanized existence are the rule of the day. And then, sometimes, there's a mistake…

poster

?

5.4

/20/

83

/3/

An aging man lies bleeding to death in an alley. As onlookers start to gather around, he reflects on the life that he has lived.

?

6.6

/44/

70

/1/

70

/1/

"The Risk not Taken" is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world's fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.

?

7.1

/36/

In a desolate, lifeless world a tree grows parasitically from within a dormant war-machine. Unexplainably the machine awakens lost and confused, deciding to follow a flock of birds. As the machine ventures towards his unknown destination the birds make their home in his tree, rendering the robot into a traveling microcosm. The birds breed and other feral animals begin to follow, however the tree continues to rapidly grow, and the machine struggles under its weight. The robot's journey becomes increasingly dire, as the ominous tree makes his every step more difficult as time goes on, roots spreading to his joints, crushing his frame. He reaches his unknown destination, a coast of fertile soil, but the tree has become too enormous, the machine drags itself to the edge of a crater and pulls himself over, destroying what's left of him in the process, but the tree remains, safe at the bottom, a shelter and home for the robot's followers.

?

10

/2/

Alfred Leslie is a pivotal American artist-painter-filmmaker whose work spans the past fifty years. A contemporary of the Abstract Expressionists and a key figure in the extraordinary social milieu of downtown New York from the 1950s and 60s to the present, his own canvases were amongst the most revered of his peers. In 1964 he made 'Pull My Daisy' with the photographer Robert Frank and in 1966 collaborated with the inimitable poet Frank O'Hara on 'The Last Clean Shirt'. Leslie dramatically moved away from abstraction to make giant almost hyper-real portraits, the majority of which were destroyed in the now infamous fire that ripped through his studio and its neighboring blocks on October 17, 1966. This devastating event, that completely destroyed paintings, films and manuscripts, continues to inform his work today.

poster

?

5.5

/15/

70

/1/

70

/1/

We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.

poster

?

7.0

/60/

10

/1/

72

/4/

The man-made artificial intelligence GOLEM XIV faces its creators with a detached view of human nature and its culture.

poster

?

100

/1/

Short film about the inability to sleep, or to remain asleep throughout the night.

poster

?

100

/1/

An abstract and tense short exploring the inner and outer body via the use of various types of plants.

poster

?

7.6

/33/

20

/1/

Unlike any art movie you've ever seen, Making it in Manhattan is informed 'entertainment' about the people who make contemporary art. Artists, collectors, and dealers bring to life the art capital of the world, New York, as it plunges into the 21st Century. Presenting a cross-section of artists, the film discusses inspiration, aesthetics, and the meaning of success. With Louise Bourgeois, Brice Marden, Chuck Close, Neil Jenney, Elizabeth Murray, Ashley Bickerton, Gary Simmons, Ursula von Rydingsvard, Rirkrit Tiravanija, St. Clair Cemin, Ivan Karp, Jay Gorney, Matthew Marks, Jerry Saltz, Herb & Dorothy Vogel, and others. From abstraction to figuration, from installation to conceptual art, from the privacy of the doctor's office to the posh gallery opening, Making it in Manhattan captures the reality of a special world. Music by Tom Waits, Don Braden Ryuichi Sakamoto, George van Eps, Piero Umiliani with Chet Baker.

poster

?

5.6

/18/

Litha's journey through a burning brain. Being watched and followed by a mysterious woman, she escaped from paradise into the city of skytrains. Lost in train of thoughts while eating fruits of chaos or just mind expanding psychedelia? A 68 minutes psychedelic horror trip by Cosmotropia de Xam.

poster

?

5.2

/36/

70

/7/

80

/1/

A driven candidate moments before the most important point of his career. A desperate thug moments before the most dangerous decision of his life. An abstract and compelling short film about finding peace in regret.

poster

?

4.2

/21/

23

/3/

A story of a story that happens inside the screens. A reality trapped inside the screen of all devices hitting the boundaries creating the ultimate question: whose screen device are we trapped in? Whose entertainment is our personal drama?

poster

?

6.2

/30/

70

/1/

In this short animation, a young boy takes a flying leap away from normal, waves goodbye to his classmates, and disappears into the cityscape and beyond. At the same time, a young girl is inspired to reinvent her space with art.

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