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poster

81

7.5

/5987/

73

/159/

68

/110/

4.0

/15292/

94

/89/

77

/417/

84

/25/

4.0

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg, is the frosty and mysterious star of Maddin’s film. Fact, fantasy and memory are woven seamlessly together in this work, conjuring a city as delightful as it is fearsome.

poster

78

7.0

/1103/

69

/56/

69

/12/

3.6

/18276/

95

/61/

76

/21/

4.0

'90s indie-rock band Pavement reunites for their sold-out 2022 tour. But as preparations get underway, surreal tributes emerge: an off-Broadway musical adaptation of their songs, a museum devoted entirely to the band’s legacy, and a shamelessly awards-baiting Hollywood biopic.

poster

75

7.0

/2398/

72

/104/

72

/63/

3.7

/13652/

95

/41/

71

/3/

76

/14/

3.0

age 16+

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

poster

79

49

7.1

/896/

66

/29/

67

/24/

3.8

/1661/

100

/8/

81

/8/

92

/5/

A Man Vanishes examines the concept of Johatsu, tackling the phenomenon of people missing in Japan over the years. It picks one such person from the list, someone who had seemed to disappear from the face of the earth due to embezzlement from his company, and the filmmakers begin an investigative documentary into the reasons behind and attempt at tracking him down.

poster

74

46

6.6

/387/

63

/21/

60

/4/

3.7

/4610/

100

/24/

84

/5/

Just released from prison, Léa returns home to the Brasilia favela of Sol Nascente and joins up with her half-sister Chitara, the fearless leader of an all-female gang that steals and refines oil from underground pipes and sells gasoline to a clandestine network of motorcyclists. Living in constant opposition to Jair Bolsonaro’s fiercely authoritarian and militarized government, Chitara’s women claim the streets for themselves as a declaration of radical political resistance on behalf of ex-cons and the oppressed.

poster

74

37

6.9

/432/

68

/13/

73

/12/

3.9

/1632/

83

/6/

Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.

poster

73

36

7.3

/1187/

65

/30/

73

/34/

3.8

/3719/

78

/4/

Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction". The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Côte d'Ivoire for work.

poster

62

31

6.0

/190/

35

/4/

58

/8/

3.5

/1265/

89

/9/

Having worked as a housekeeper all her life, Justina inherits from her former employer a mansion in the middle of the Argentinian pampas. Under one condition: she must never leave. In this modern fairy tale, Justina and her daughter Alexia will face the challenges of keeping that promise alive.

poster

66

27

7.2

/313/

51

/7/

55

/8/

3.8

/787/

80

Local people of Curalha, a small village, keep a tradition of representing the Passion of Jesus, according to a 16th century text.

poster

62

26

6.8

/193/

61

/6/

58

/6/

3.5

/1834/

53

A love triangle of jealousy in the Parisian art scene of the 1930s is brought to life in a stylish docufiction about iconic artist and architect Eileen Gray, who built her modernist dream house on the Riviera, only to be upstaged by Le Corbusier.

poster

57

21

6.5

/284/

50

/3/

47

/10/

67

/107/

In Bali, a young woman falls for a musician, but he may have eyes for her half sister.

poster

71

17

7.2

/175/

70

/2/

65

/6/

4.0

/1186/

Armed with camcorders, French artist Sophie Calle and American photographer Greg Shephard head West across the United States in his Cadillac convertible to produce and document a narrative of their journey and relationship.

poster

68

14

7.0

/194/

57

/7/

70

/7/

3.9

/859/

Centered on an elderly matriarch and her family in the Trás-os-Montes region of Portugal. An exploration of the cycle of life and death, using the main character, Ana, as an emblem of a life lived in harmony with nature and tradition.

poster

71

12

7.0

/313/

63

/10/

60

/9/

3.7

/955/

90

/1/

Director Liu Jiayin casts her parents and herself as fictionalized members of a Beijing family that has fallen on hard times and ekes out an existence by making bags out of oxhide for sale.

poster

?

8.6

/13/

N/A

poster

?

7.9

/93/

76

/3/

80

/1/

In the desolate wilderness of the disappearing islands along the Brahmaputra river, 12-year-old orphan Afrin is coming of age. When heavy rainfalls and flood waters ravage Afrin's island, she refuses to surrender to its deadly tides. Afrin rows herself in a wooden boat toward the teeming metropolis of Dhaka to find her estranged father among the millions of climate refugees. Forced to grow up fast, Afrin must confront the mysteries of a sinking world.

poster

?

8.1

/148/

The film approaches the work of the Greek artist Nikos Koniaris. The particular way in which the painter depicts human suffering is presented through a film - a hybrid of real recording and directed material. The grief, the sick body, is reflected in self portraits, portraits of dying strangers and paintings of dead models. The paintings, apart from his work, also express a different version of himself. All together contribute to the depiction of man as a "garment of pain".

poster

?

7.8

/56/

65

/2/

Invincible Force follows its subject (Drew Ailes) for 90 consecutive days as he documents his incredible transformation of body, mind and spirit. Drew begins his journey as a lazy worthless shell of a man but through physical fitness and extreme dedication Drew is able to build a new, more powerful self. Invincible Force was made with a budget of zero using only equipment, media, props, wardrobe and locations that were found, borrowed or stolen. Invincible Force was carefully scripted and stylized but the stunning transformation of body and character it captures is entirely real.

poster

41

?

2.9

/244/

45

/15/

36

/6/

2.8

/222/

Six young and hopeful actors land roles in an experimental horror film shooting on a remote location. Their performances will be captured without any crew present in a single, uninterrupted take by cameras and drones positioned around the set. As the day progresses, the line between the film they are shooting and actual terror is blurred as they find themselves in a real life-or-death situation.

poster

53

?

7.5

/59/

10

/1/

55

/1/

3.7

/247/

"At that time (late 1992), I made a film for British television, Channel 4, called Las Soledades, the name of a long poem by Góngora. It was made in Chile, using many poetic elements of the country. Chile is seen through the eyes of a Chinese painter—a painter who uses the traditional 18th-century concepts of Shih-Tao. Once again, I am doing something that, apparently, is not meant to go hand in hand. The landscape of my country, southern Chile, where I was born, initially provokes in me a feeling of fear. The landscape is madness. In these crazy landscapes, you can find very reasonable people, which makes the landscape seem even crazier."

poster

?

80

/2/

70

/1/

The docudrama recounts the five years (from 1974 to 1979) in which lawyer Giorgio Ambrosoli investigated the workings of a corrupt and lethal system, seen through the eyes of Finance Police Marshal Silvio Novembre and reconstructed by mixing fictional scenes, archive footage, and valuable testimonies.

poster

74

?

7.7

/23/

3.6

/253/

A Mauritanian worker, Sidi, works in France. Like most immigrant workers, he is employed to do the most difficult and dangerous jobs. Sidi and his comrades are exploited systematically and permanently, as much by their employers as by their own countrymen who are constantly able to offer false working papers, slums where immigrants buy at high cost their right to sleep. But faced with racism and economic exploitation, immigrant workers communicate, organise...

poster

?

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

poster

?

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

poster

?

Kaung Myat Htun (gong mee-at tuun) is a superhero that lives in stealth. A traditionally obedient Burmese child in a family of tailors, he goes about his day exploring golden pagodas of which Myanmar is famous for, whilst gradually revealing that he is no ordinary human child.

poster

?

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

poster

?

Married couple Appignanesi and Baum an English literature university professor, attempt to figure out their relationship on screen, involving an angst-riddled trip to the United States.

poster

?

CittàNovecento is a docufilm that comes from a community of people from all over the country, united by the pleasure of their work and the sense of belonging to the Morandian City of Colleferro, archetype of the '900 City of Foundation.

poster

?

N/A

poster

?

It's been 5 years since Ukrainian Crimea was annexed by Russia. The film is exploring Crimean life in the post-truth era, when the voice of common people is overlaid by governmental propaganda. 5 heroes express their opinion on the situation in Crimea under the Russian flag, talk about their hopes and fears. Real lives of characters are hidden under the official Russian position, full of enthusiasm, bravado and imperial pride. Moreover, propaganda romanticizes militarism and imperial expansion, making it desirable and «sexy» for Russians. While Crimean «homecoming to Russia» as media call it, is considered as the main Russia's achievement of the century, «home-comers» themselves don't feel that confident about their future.

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