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poster

81

7.1

/3882/

73

/251/

74

/451/

3.7

/27882/

100

/14/

81

/3/

3.5

Elise thought she had the perfect life: an ideal boyfriend and a promising career as a ballet dancer. It all falls apart the day she catches him cheating on her with her stage backup; and after she suffers an injury on stage, it seems like she might not be able to dance ever again.

poster

77

7.5

/979/

65

/27/

75

/45/

3.8

/1081/

87

/30/

85

/18/

71

/12/

3.5

The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.

poster

81

49

7.4

/55/

60

/2/

100

/10/

91

/62/

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

poster

64

46

6.8

/3846/

72

/164/

68

/116/

3.1

/3412/

50

/2/

Contemporary Russia. Nadya gives up her dream of becoming a champion figure skater when she is hospitalized with an injury. But then she meets Sasha, a hockey player, who decides to teach her to believe in herself and her dream again.

poster

64

44

6.2

/1206/

62

/30/

58

/38/

3.6

/3745/

69

/362/

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

poster

57

42

6.1

/3476/

66

/34/

58

/34/

2.9

/1490/

60

/5/

41

/66/

When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.

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?

7.6

/6/

100

/1/

N/A

poster

?

100

/1/

100

/1/

When Russia invaded, the women of Ukraine's leading contemporary dance group struggled to find purpose in their work. A search for new forms of resistance ultimately led them back to dance.

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20

/1/

100

/1/

CRAZY BELCHES OUT A GHOST. From there on the two women, almost Siamese in their connection, will fight until one remains. The film's explores cinema and dance from a perspective outside either discipline's language

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3.5

A contemporary dance film by choreographer Talia Miharu inspired by Gustav Klimt's painting, "The Kiss", starring Kaben Benavides and Gabriel Tolmer.

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80

/1/

A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.

poster

?

10

/1/

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

poster

?

7.0

/23/

70

/1/

100

/1/

After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.

poster

?

6.2

/98/

60

/1/

Choreographer Dave Gould and his students demonstrate various tap dancing steps. Also featured are an adagio and Russian sword dancers.

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?

100

/1/

N/A

poster

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60

/1/

Are we ever honest enough to be unaffected by lies? This is the question asked by Henrik Ibsen's drama Ghosts (Gengangere). Oswald Alving returns from a bohemian existence in Paris to small-town Norway. Encountering people who do not communicate, Oswald responds by becoming ironic and distant. He gradually learns more of the secrets that weigh on his family, as well as those inside himself. His mother, Mrs Alving, welcomes her much-missed son home - and slowly understands what, or whom, he has brought home with him. Together with the young, critically acclaimed choreographer Cina Espejord, she retells Ibsen's play as a ballet. The pair feel the story is suited to dance because both it's inner and outer brutality can be pitted against the power of dance. Ibsen's Ghosts is an evocative production in a modern dance style. Nils Petter Molvær has composed new music, which he performs on-stage together with Jan Bang.

poster

?

20

/1/

N/A

poster

?

70

/1/

It follows the filmmaking journey of two filmmakers as they navigate through the urban sprawl of inner KL during the pandemic. It showcases the city in a raw, exposed and gritty fashion but still with a certain charm. Throughout their filmmaking process, they capture the peculiar events in the life of three strangers: the son (Fakhrul Aiman), the outsider (Eli Orkid) and the hustler (Nidusmas). They happen to express themselves in extreme ways at the sight of their own reflection in “the vantablack” -- they snap into a state of mind where they lose all their inhibitions and show their true self in a very physical way: through visceral, almost primal dance movements.

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100

/1/

The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.

poster

?

6.1

/13/

40

/1/

26

/3/

A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.

poster

62

?

6.5

/250/

56

/13/

60

/10/

3.6

/400/

A glimpse into the world and methodology of dancer Martha Graham.

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"Prima" follows Margo, a dedicated prima ballerina raised by her disciplinarian and “guardian of the art” grandmother, who begins to unravel when the head of her ballet company marries a contemporary choreographer, disrupting the company’s tradition and igniting a quiet, atmospheric power struggle that threatens the very future of the institution. As events unfold, Margo begins to question if the choices made in life are really worth it in the end, a question so many face as difficult decisions can change your life forever.

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Giselle(s) revisits the classic Giselle through the lens of violence against women, giving the famous 1841 ballet a contemporary social and political dimension.

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Directed by Mexican choreographer-director Camila Arroyo, and created in collaboration with designer Sabrina Olivera, “Soldaderas” is a contemporary interpretation of the figure of the Soldadera, known as the women fighters of the Mexican revolution. The choreographic portrait follows a young woman as she dances her way through Mexico City, capturing her twists and turns as well as the different self-fashioning rituals that accompany her. The film is also a moving archive of Olivera’s first collection, created in honor of the Soldaderas, for her upcoming brand Sabrina Ol. The movement in the film plays with the idea of the word soldar, translated in English as to weld. Centering this action, the choreographic language plays with the actions of melting, and rebuilding, braiding and forging as a backbone to how the protagonist moves around the city. As we watch the film, we play dress up with the dancer and sink into our bodies, allowing her movements to travel through us.

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A cinematic journey that follows a young woman in search of authenticity and true connection. Set against the dramatic backdrop of the Swiss Alps - where the African and European tectonic plates once collided - she moves between memory and momentum, finding her own rhythm in the pursuit of her true self.

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AKIN examines the tension between collective synchronicity and the hidden inner reality of the individual. One protagonist describes her overwhelming feelings, while three other figures appear as aesthetic mirrors of her inner states. In a world that demands perfection and smooth functioning, everyday life continues like a mechanical system even when the inside has long overflowed. The bodies increasingly come under pressure until the structure discharges in synchronous, yet faulty movements. The encounter with an antagonist opens a moment of silent perception and raises the question of whose emotions are actually at work in the space. AKIN reveals a raw, deeply human choreography between adaptation and authentic expression.

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Six roommates share a cramped four bedroom apartment. One moves out. Another moves in. In the process, the precarious balance of their routines is comically disrupted.

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The RB Dance Company's first original creation, Stories is a narrative dance performance conceived by Romain Rachline Borgeaud. Reflecting the spirit of the RB Dance Company, it combines tradition and modernity by blending genres and giving tap dancing a new lease of life.

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N/A

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A short film about the the story of a young woman,Desiree, reflecting on the betrayal of her significant other and her struggle through forgiveness, healing, and restoration in their relationship.

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Terpsichore is a captivating exploration of dance as an art form, illuminating the passion, discipline, and vulnerability that transform movement into poetry. The documentary follows three distinct yet interconnected artists: Cece Trapani, an Irish dancer; Aurora Maur, a burlesque performer; and the Dayton Contemporary Dance Company (DCDC), a renowned contemporary dance ensemble. Through their stories, Terpsichore reveals the universal language of dance—one that transcends genre and speaks to the depths of human emotion. Intimate interviews and behind-the-scenes rehearsal footage offer a raw, unfiltered look at the artistry behind each performance, capturing the essence of dance as both personal expression and a bridge between artist and audience. More than a showcase of technique, Terpsichore delves into the soul of movement, celebrating its power to connect, inspire, and reveal the unspoken truths of the human spirit.

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A woman embarks on a journey through three pivotal stages, meditating on the cyclical nature of life, where the uncontrollable power of the sea reflects the essential purity of the world.

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A woman battles against the constraints of a controlling patriarchal figure symbolised by a haunting mask. As she strives for freedom and dances to her own rhythm, the gripping visuals unfold a poignant tale of struggle and the inescapable influence of societal expectations.

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Eva, an indecisive dancer, is going to an audition for a famous dance school in a week. What Eva wants to dance is not the same as what her teacher, Dania, thinks is right. What does Eva do?

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After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?

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Set in a derelict theater, “Heartache” deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. At once kitschy and confrontational, the dancers move with deadpan gazes through tight trios with razor-sharp precision and evocative gestures. Glimpses of private moments and vivid bodily imagery highlight the tension between the individual and society.

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A sensual and insightful film about three elderly dancers from Budapest. Irén, Éva and Ágnes - all between 90 and 100 years old - were once part of the early modern dance movement in Hungary. Taking the role of a dance student and dialogue partner Boglárka retraces how each of the elderly dancers transformed their lives and movement practices in order to survive the major socio-political changes of the last century. The film takes us into a personal and bodily encounter with three very different personalities and their relation to their past and present. Returning to the stage and performing in their private rooms, Irén, Éva and Ágnes reveal us an incredible richness of experience stored in their bodies. A choreography of memories.

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Science-fiction dance film that looks into togetherness and loneliness. Covid-19 and the measurements taken because of it have changed our way of being together into a more digital, online and always connected manner.

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A single father in Paris struggles to care for his child and escapes periodically through contemporary dance.

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A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.

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Tak Lurus, which means “not straight” in Bahasa Melayu, brings about the marriage between technology and the arts. The dance short film uses light refraction technology to create a medium expressing the situations we undergo and emotions we feel, as we journey through this large medium called life.

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An international online digital dance collaboration.

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Christopher Wheeldon's Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Ezio Bosso and lit with the rich colours suggested by sunset. In Flight Pattern, Crystal Pite combines Górecki's haunting “Symphony of Sorrowful Songs” with a large dance ensemble to create a poignant and passionate reflection on migration. Between them, Medusa is new work inspired by the Greek myth, created for The Royal Ballet by the acclaimed choreographer Sidi Larbi Cherkaoui, which juxtaposes Purcell arias with an electronic score by Olga Wojciechowska.

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