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poster
Kanopy
80
78
7.7
/12915/
76
/292/
74
/259/
4.2
/42490/
88
/16/
86
/245/

Sans Soleil (1983)
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
poster
Hoopla
83
36
7.4
/406/
74
/52/
78
/15/
3.7
/1324/
100
/10/
100
/3/

Worlds of Ursula K. Le Guin (2018)
The extraordinary life story of science fiction and fantasy writer Ursula K. Le Guin (1929-2018) who, in spite of remaining for many years on the sidelines of the mainstream literature, managed to be recognized as one of the most remarkable US writers of all time, due to the relevance of her work and her commitment to the human condition.
poster
?
10
/1/

People of the Seal, Part 1: Eskimo Summer (1971)
The first of two coproductions by the British Broadcasting Corporation and the National Film Board of Canada, People of the Seal, Part 1: Eskimo Summer is compiled from some of the most vivid footage ever filmed of the life of the Netsilik Inuit in the Kugaaruk region (formerly Pelly Bay) of the Canadian Arctic. The original films of the Netsilik series attempted to recreate the traditional lifestyle of Netsilingmiut living there. They show the incredible resourcefulness of the Netsilik (People of the Seal) who have adapted to one of the world's harshest environments. Part 1: Eskimo Summer shows how Inuit families prepare for winter by hunting seal, birds and caribou and by fishing for Arctic Char during the extended hours of daylight.
poster
?
70
/1/
30
/1/

The Last Nomad (2024)
Greek Sarakatsani community members, a former group of nomadic animal breeders, share personal experiences and discuss the concept of identity in today's world. A tribute to collective memory through an experiential journey that sets out from the past, progresses into the present, and contemplates the future.
poster
73
?
6.0
/34/
70
/1/
100
/1/
3.2
/441/

Who Loves the Sun (2024)
In war-torn northern Syria, WHO LOVES THE SUN delves into the world of makeshift oil refineries and the stark realities of life within this post-apocalyptic landscape. Mahmood is a prominent figure in these operations, navigating harsh working conditions and complex local dynamics.
poster
?
8.1
/8/
80
/1/

Koka (2024)
Somewhere on the coast of the Bering Sea, a father and son make a living fishing in a community that seems almost outside of time. Aliaksandr Tsymbaliuk’s camera takes us in close to the subjects, recording both the harshness of their condition and the rigour of education, softened by paternal love and the universal insouciance of childhood.
poster
?
7.4
/18/
10
/1/
100
/1/

The End of an Old Song (1969)
John Cohen, founding member of the ‘50s folk troupe the New Lost City Ramblers, started making films in order to bring together the two disciplines he was heavily active in: music and photography. The End of an Old Song brings us to North Carolina, and demonstrates the power of old English ballads sung with gusto while soused in a saloon.
poster
?
10
/1/

Finnish American Lives (1982)
A moving portrait of traditional Finnish American culture in the Upper Peninsula of Michigan, highlighting that fragile community of memory connecting ourselves with parents and grandparents. It uses the “biographical model” of folklore filmmaking to tell the story of Erikki Vourenmaa, a 92-year-old Finnish immigrant, and his family living near Ironwood, Michigan. This three-generation farm family works, celebrates, reflects, and grieves together. The film explores the meaning of family, ethnic history, aging and intergenerational bonds. It contrasts between the immigrant elder, his American-born son and the partially assimilated grandchildren to illustrate change and continuity in the "sauna belt" of the Lake Superior Region. As Dr. Sharon Sherman concluded, “Loukinen’s focus on the bonds between generations will strike emotional chords about family relationships and ethnic identity for numerous cultural groups.”
poster
?
10
/1/

Mangbetu (1954)
An ethnographic documentary about the Mangbetu tribe of the Belgian Congo (now the Democratic Republic of the Congo). The film features a discussion of various rites including the Mangbetu practice of head binding, as well as various examples of traditional music and dance.
poster
?
10
/1/
100
/1/

Batouk (1968)
This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.
poster
?
70
/1/

IIWA (2018)
When a girl in the Wayuu tribe has her first menstruation, begins her transformation from girl to woman, locked up and isoleted by the rest of her family for at least a year, learning the most ancestral traditions of her Wayuu ethnic group.
poster
?
60
/1/

Salamanca (1929)
A walk through the landscapes of the province of Salamanca, Spain, as well as a testimony of the daily life and customs of its inhabitants.
poster
?
60
/1/

Barcelona (1929)
A walk through the landscapes of the province of Barcelona, Spain, as well as a testimony of the daily life and customs of its inhabitants.
poster
?
7.7
/26/
20
/1/

The Life and Times of Sara Baartman (1998)
In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.
poster
?
10
/1/

African Dwarves (1953)
N/A
poster
?
10
/1/

Lovci lebek (1954)
N/A
poster
?
6.6
/26/
20
/1/
40
/1/

Mothers of Life (2002)
A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.
poster
?
80
/1/
10
/2/

Caught (2021)
In this innovative blend of documentary and fiction, Rosa and Paloma, two trans Latina sex workers in Queens, New York, fight transphobic violence, persecution from the police, and defend their cases of trafficking in an increasingly anti-migration political environment in the U.S.
poster
?
10
/1/

Son of Torum (1989)
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
poster
?
100
/1/

Carving Thy Faith (2018)
A five-year visual ethnography of traditional yet practical orchestration of Semana Santa in a small town where religious woodcarving is the livelihood. An experiential film on neocolonial Philippines’ interpretation of Saints and Gods through many forms of rituals and iconographies, exposing wood as raw material that undergoes production processes before becoming a spiritual object of devotion. - A sculpture believed to have been imported in town during Spanish colonial conquest, locally known as Mahal na Señor Sepulcro, is celebrating its 500 years. Meanwhile, composed of non-actors, Senakulo re-enacts the sufferings and death of Jesus. As the local community yearly unites to commemorate the Passion of Christ, a laborious journey unfolds following local craftsmen in transforming blocks of wood into a larger than life Jesus crucified on a 12-ft cross.
poster
?
6.7
/35/
35
/2/

Circumcision (1949)
Rites and operation of the circumcision of thirty Songhai children on the Niger. Material of this film has been used to make "Les Fils de l'Eau".
poster
?
10
/1/

Amazônia Indomável (1952)
N/A
poster
?
90
/1/

O Arco e a Lira (2002)
N/A
poster
?
20
/1/

Cracks in the Mask (1997)
A century ago the Torres Strait Island were the subjects of the famous Cambridge Anthropological Expedition - the resulting depletion of their cultural artifacts left them with nothing but a history of remembered loss. The only people in the Pacific to make elaborate turtleshell masks have none left - they are all in foreign museums. In a quest to reclaim the past, Ephraim Bani, a wise and knowledgeable Torres Strait Islander, travels with his wife to the great museums of Europe where his heritage lies. The film, an SBS Independent production, shows that the thickest of masks cracks when a descendant of the original owners enters a museum.
poster
60
?
5.9
/212/
73
/3/
50
/2/

Self Made Cameraman (2019)
An adventurous tragedy about Estonia's first film maker Johannes Pääsuke and his aspirations to travel around with a film camera and find happiness. Together with a good friend, Volter, Pääsuke will spend an incredible week in Setomaa.
poster
?
7.2
/61/
60
/1/
68
/4/

Bamboo Theatre (2019)
This film is a portrait of unique cultural space for Spirits, Gods and People. While permanent theatres are commonly built in most cosmopolitan modern cities, Hong Kong preserves a unique theatrical architecture, a Chinese tradition that has lasted more than a century - Bamboo Theatre.
poster
?

Distant Close (2024)
What is the role of an ethnographic filmmaker as an outsider and student of a culture? Is it about representing, demonstrating, and reflecting or exposing, participating, and transposing? Although these are not binary terms of the historic discussions in anthropology, they share a lot to be experimented through shared cine-anthropology and sensory multimodal ethnography.
poster
?

An Indian Love Story (2023)
Kuldeep is in love, but the girl he wants to marry comes from a more prestigious caste than him. And no matter how much Kuldeep begs the goddess Kali to intervene on his behalf, the girl’s father is hard to convince.
poster
?

The Shepherdess
“The shepherdess” is a short ethnographic film inspired by Joyce, an 80 year old woman who has spent her whole life farming in Eastern Ontario. While this film is largely centred on Joyce’s narrative about her life, it is also about Joyce’s flock of about 20 Suffolk ewes, the filmmaker, and the relationships between these actors.
poster
?

Yadnya Karo: An Anthropology Expedition (2024)
As part of the research conducted by Diponegoro University's Anthropology Research Expedition community (ARE), this ethnographic film explores the annual Yadnya Karo celebration in Tosari Village, East Java. Yadnya Karo symbolizes the origin of human life. This documentation captures the sacred rituals, vibrant traditions, and enduring cultural identity of the Tengger people.
poster
?

Sweet Osmanthus Flowering Late (2024)
"Sweet Osmanthus Flowering Late" is a feature-length ethnographic film that envisions social rejuvenation and collective convalescence in the aftermath of the pandemic. Filmed in Wuhan, the film follows the everyday lives of three middle-class households. It postulates the existence of a mass dreaming phenomenon that facilitated fatigued Chinese inhabitants to rejuvenate themselves following the secluded episode of lived experience and to coexist with the enduring imprints of "the event" on their social lives.
poster
?

Live, song, live! (2022)
The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.
poster
?

Melodies of the mountains (2006)
Film about the singing and dancing culture of the Ingush people
poster
?

Under the Black Masks (1939)
This ethnographic short portrays a ritual using masks among the Dogon people of Mali.
poster
?

Bunda Reinha - Celebrating 500 Years of Tuan Ma (2010)
N/A
poster
?

Wild Honey
N/A
poster
?

Broken Gods (2019)
India has one of the largest populations of Indigenous people in the world, known locally as adivasis or tribals. As India's current Hindu nationalist government pushes to redefine India as a homogenous Hindu nation, adivasis’ ways of life are under greater threat. Set among the Rathava and Bhil adivasi communities of western India, broken gods document the social impact of Hindu religious evangelism among India’s Indigenous groups. As Indigenous people join Hindu religious sects, their old gods are literally becoming broken - devotional mural paintings are being whitewashed from homes, and the earthen figurines in honour of village gods and ancestors are being left to fall apart. While for those who convert joining a Hindu sect offers the allure of a better life, those who continue to follow their old ways have become ostracized by their communities. Their broken gods have lost the power to protect them from illness and scarcity.
poster
?

Dos Antigos aos Filhos do Amanhã (2018)
N/A
poster
?

Traces: People of the Peacock (2016)
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
poster
?

Peasant Family Happiness (2013)
This film depicts the everyday experience of 'doing tourism' in two rural, ethnic tourism destinations in contemporary China: Ping'an and Upper Jidao villages. Focusing on the perspectives of village residents, the film portrays how modern, rural Chinese negotiate between the day-to-day consequences of tourist arrivals in their home villages and ideal projections of who they are and what their lives can achieve through tourism development.


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