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poster

85

7.9

/24642/

79

/1229/

77

/503/

4.2

/63505/

99

/210/

83

/257/

95

/36/

3.5

age 13+

Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.

poster

85

8.5

/5491/

80

/412/

78

/168/

3.9

/10268/

100

/9/

94

/196/

For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.

poster

83

7.8

/16688/

75

/572/

75

/363/

3.9

/26198/

98

/203/

88

/483/

87

/35/

3.5

age 15+

The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.

poster

79

7.2

/67778/

72

/3539/

69

/1239/

3.6

/118916/

97

/234/

91

/28/

76

/39/

3.5

age 17+

The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.

poster

78

7.2

/44000/

72

/707/

71

/697/

3.8

/34295/

82

/156/

75

/1564/

76

/32/

4.0

age 18+

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

poster

82

73

7.8

/3092/

76

/117/

76

/60/

4.1

/11447/

96

/45/

84

/42/

86

/19/

From its distinctive neighborhoods to its architectural homes, Los Angeles has been the backdrop to countless movies. In this dazzling work, Andersen takes viewers on a whirlwind tour through the metropolis' real and cinematic history, investigating the myriad stories and legends that have come to define it, and meticulously, judiciously revealing the real city that lives beneath.

poster

77

72

7.6

/4875/

71

/176/

68

/92/

3.8

/5792/

95

/63/

80

/374/

76

/15/

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

poster

71

7.1

/2442/

66

/76/

68

/50/

3.6

/2828/

86

/37/

65

/84/

67

/14/

3.0

This documentary about the culture of intense cinephilia in New York City reveals the impassioned world of five obsessed movie buffs. These human encyclopedias of cinema see two to five films a day, and from 600 to 2,000 films per year. This is the story of their lives, their memories, their unbending habits and the films they love.

poster

69

6.9

/1163/

69

/24/

67

/16/

3.3

/3221/

88

/69/

53

/11/

68

/16/

3.0

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

poster

75

67

7.1

/2994/

72

/155/

65

/68/

3.4

/3487/

100

/7/

78

/127/

An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.

poster

67

6.2

/23848/

63

/1049/

61

/519/

3.1

/44122/

94

/132/

55

/819/

80

/30/

2.5

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

poster

66

6.7

/1386/

68

/82/

58

/13/

3.5

/5410/

89

/84/

65

/10/

66

/18/

2.0

Released in 1995, Paul Verhoeven's Showgirls was met by critics and audiences with near universal derision. You Don't Nomi traces the film's redemptive journey from notorious flop to cult classic, and maybe even masterpiece.

poster

61

6.3

/1208/

59

/54/

60

/31/

3.3

/4563/

69

/52/

89

/14/

58

/15/

1.0

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

poster

60

5.8

/1085/

57

/35/

52

/26/

3.2

/665/

55

/16/

3.0

Dan Aykroyd, John Candy, Gilda Radner and Cheech and Chong present this compilation of classic bad films from the 50's, 60's and 70's. Special features on gorilla pictures, anti-marijuana films and a special tribute to the worst film maker of all-time, Ed Wood.

poster

69

60

7.2

/3750/

68

/133/

67

/92/

3.4

/2399/

74

/190/

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

poster

73

56

7.3

/1740/

66

/25/

63

/88/

3.6

/1894/

90

/10/

78

/88/

From 1970-1977, six low budget films shown at midnight transformed the way we make and watch films.

poster

76

44

7.6

/1098/

76

/34/

74

/35/

4.0

/5133/

Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.

poster

68

44

7.4

/2019/

65

/47/

68

/47/

3.4

/1536/

Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.

poster

56

44

6.1

/2920/

58

/97/

58

/56/

2.6

/1649/

52

/274/

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

poster

57

38

4.9

/4012/

58

/47/

46

/22/

2.8

/436/

75

/8/

59

/191/

Michael Wilson, like the subject of his film, is trying to get an interview with a multi-millionaire; however, in this case, that millionaire is Michael Moore himself.

poster

60

33

6.8

/1223/

59

/33/

65

/38/

3.6

/2157/

40

/6/

Mel Brooks is an old man watching abstract animations.

poster

52

31

6.1

/1120/

58

/34/

53

/26/

3.1

/451/

67

/21/

34

/94/

35

/8/

The story of Scotty Pelk, a socially inept video store clerk who gets fired from his job and becomes a sensation as an online film critic.

poster

64

31

6.9

/781/

60

/26/

58

/23/

3.4

/1118/

67

/28/

With archive film clips and interviews, this brief look at a frequently overlooked historical period of filmmaking acts as an introduction rather than a complete record. It features interviews with some of the genre's biggest stars, like Fred Williamson, Pam Grier, and Richard Roundtree. Director Melvin Van Peebles discusses the historical importance of his landmark film Sweet Sweetback's Baadasssss Song. For a contemporary perspective, the excitable Quentin Tarantino offers his spirited commentary and author/critic bell hooks provides some scholarly social analysis.

poster

77

27

7.7

/436/

65

/5/

68

/4/

3.6

/302/

93

/14/

91

/15/

Life and work of the founder of the Cinémathèque Française.

poster

47

24

5.0

/1149/

51

/74/

46

/29/

2.2

/1233/

There are some movies that are so bad they're good. And there are some movies that are so bad- that they're just bad...

poster

65

19

7.1

/739/

63

/22/

67

/15/

3.3

/497/

58

/16/

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

poster

66

15

7.0

/255/

65

/14/

61

/10/

3.5

/789/

A documentary that examines the films made by the victims of the Hollywood Blacklist and offers a radically different perspective on a key period in the history of American cinema.

poster

75

13

7.6

/135/

90

/1/

61

/11/

3.8

/672/

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

poster

67

12

6.6

/295/

68

/20/

67

/12/

3.4

/398/

Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they're good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.

poster

54

10

6.1

/279/

55

/25/

52

/14/

3.1

/396/

44

/3/

A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!

poster

?

6.6

/47/

10

/1/

60

/1/

Spring 1970: Godard and Gorin, on the road, visiting colleges, speaking with Andrew Sarris, and explaining, through illustrated notebooks, their newest Dziga Vertov Group project, a film on Palestine.

poster

?

8.2

/12/

10

/2/

N/A

poster

63

?

6.5

/533/

58

/7/

66

/5/

63

/22/

Former indie film "guru" John Pierson takes his family to Fiji for one year to run the world's most remote movie theater.

poster

68

?

7.5

/138/

63

/6/

69

/7/

A definitive documentary that recaps the evolution of an American Cinema Classic over the past 40 years.

poster

53

?

6.2

/171/

53

/8/

48

/8/

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

poster

?

7.8

/16/

45

/2/

60

/1/

A portrait of film critic Manny Farber, featuring interviews with Farber and art critic Dave Hickey, as well as inventively displayed clips of the films that Farber discusses.

poster

?

7.2

/17/

10

/1/

Documentary on Andy Warhol's cinema of the sixties, made for Channel 4 in association with The Factory, MOMA and the Whitney Museum of Art and in collaboration with Simon Field.

poster

?

20

/2/

The film is a study of nature and significance of the hands in cinema. Besides review of movements and actions, which creates an independent story, it reveals interactions and interdependence of cinematic traditions of various authors, countries and periods

poster

?

6.0

/13/

A personal meditation on Schrader’s film from the critic and filmmaker Mark Cousins.

poster

30

?

3.4

/189/

23

/3/

34

/5/

The follow-up to Who Do You Think You're Fooling?, this time focusing on Pulp Fiction.

poster

46

?

5.0

/236/

35

/4/

55

/10/

A short film that took director Quentin Tarantino to task for failing to credit director Ringo Lam's City on Fire (1987 film) as an influence upon the making of Reservoir Dogs. It screened at the New York Underground Film Festival.

poster

56

?

5.9

/145/

30

/3/

72

/4/

3.2

/234/

56

Widely recognized as the planet's worst film director, Uwe Boll embarks on a quest to conquer Hollywood and take vengeance upon the film fanatics striving to destroy him. Filmed over three years on and off the set, 'Raging Boll' is a walk in the shoes of a man people love to hate.

poster

?

5.5

/20/

20

/2/

Day after day, images of film life in the author's collage glued together from fragments of feature films flow at a frame rate in which the date of the day appears in various forms.

poster

55

?

6.0

/214/

54

/7/

51

/9/

57

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

poster

58

?

5.7

/386/

55

/8/

59

/7/

3.3

/446/

After a long prison term, a free man wanders into a new reality.

poster

?

8.1

/73/

83

/6/

90

/2/

Xander is back on stage with a special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program. With "Xander De Rycke houdt het voor bekeken" (#HHVB), he gives the audience a razor-sharp overview. From strong fiction to weak reality and from blockbusters to box office flops. Nothing has escaped his gaze.

poster

?

8.0

/80/

85

/8/

87

/3/

In October and November 2017, Xander will be back on stage with a second special about his secret love: the Flemish media landscape. Over the past year, De Rycke has watched just about every Flemish film and TV program. With "Xander De Rycke houdt het voor bekeken" (Xander De Rycke calls it quits), he gives the audience a razor-sharp overview. This fall, Xander will take a close look at everything from September 2016 to September 2017. From strong fiction to weak reality and from blockbusters to box office flops. Nothing has escaped his gaze. His conclusion? You'll have to hear it for yourself on the evening itself. But for now, he's calling it quits.

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