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poster

70

28

7.2

/810/

69

/30/

64

/22/

3.5

/597/

64

/11/

84

/7/

50 % of the world’s population lives in urban areas. By 2050 this will increase to 80%. Life in a mega city is both enchanting and problematic. Today we face peak oil, climate change, loneliness and severe health issues due to our way of life. But why? The Danish architect and professor Jan Gehl has studied human behavior in cities through 40 years. He has documented how modern cities repel human interaction, and argues that we can build cities in a way, which takes human needs for inclusion and intimacy into account.

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7.7

/6/

10

/1/

A short documentary about the works of Cassiano Branco, a modernist architect from Portugal

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8.3

/9/

Welcome to Florence, Arizona: a cowboy town with a prison problem. Just 8,500 residents call the tiny community home—but over 17,000 inmates live there, housed in nine jails spread out over a sprawling industrial prison complex. The economic fate of the town’s inhabitants is inextricably linked with the prisons—and the townspeople are not necessarily happy about it. Director Andrea B. Scott follows four colorful characters whose lives are tied up with the prisons, including the town’s aspiring mayor, a retired correctional officer and speed shooter, a barber who longs for the town’s free-spirited cowboy days, and troubled teen Marcus, whose parents met through their prison careers. “Florence, Arizona” is a richly drawn, humorous look at a singular small town whose Wild West roots are still very much alive in its outlaw identity today. -TCFF database

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7.7

/44/

90

/1/

60

/1/

One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)

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40

/2/

The film Together we cycle investigates the critical events that has led to the revival of the Dutch cycling culture. For most people, cycling in the Netherlands, seems a natural phenomenon. However, until the 1970s the development of mobility in the Netherlands followed trents across the globe. The bicycle had had its day, and the future belonged to the car. The only thing that had to be done was to adapt cities to the influx of cars. Then Dutch society took a different turn. Against all odds people kept on cycling. The question why this happened in the Netherlands, has not an easy answer. There are many factors, events and circumstances that worked together, both socially and policy-wise. In Together we cycle, key players tell the story of the bumpy road which led to the current state. Where cycling is an obvious choice for most citizens.

poster

60

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6.9

/134/

35

/2/

67

/7/

3.5

/209/

All of Pialat's Turkish films are uniquely interested in the country — especially Istanbul — as it was, not just as it is at the precise moment that Pialat is filming it. History informs these films in a big way, with the voiceover narration (which incorporates excerpts from various authors) introducing tension between the images of the modern-day city and the descriptions of incidents from its long and rich history. Istanbul is probably the most conventional documentary of Pialat's Turkish series, providing a general profile of the titular city, its different neighborhoods, and the different cultures and ways of living that coexist within its sprawling borders. As the other films in the series also suggest, Pialat sees Turkey, and Istanbul in particular, as a junction point between Europe and the East, between the old and the new, between history and modernity.

poster

57

?

6.7

/125/

42

/4/

63

/13/

Byzance uses a text by Stefan Zweig to describe the Ottoman conquest of the city in 1453. Before he turned to feature filmmaking in 1968 with Naked Childhood, Pialat worked on a series of short films, many of them financed by French television. Byzance is one of Pialat’s six Turkish shorts.

84

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89

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80

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This is a conversation starter first, a video second.

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In a city where every step tells a story, can a timid pair of sneakers find the courage to break routine and walk their way into love?

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A documentation about the reconstruction and destruction of german cities after the 2nd World War.

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A film about the Veluwe region of the Netherlands, by the director of the Gemeentelijke Schoolbioscoop in Rotterdam. We see detailed images of villages, towns, moors, streams, ponds, poultry, and sheep farming. Van der Wel shot his own footage (according to the intertitles), but also used existing films. He drew mainly on the ‘city films’ from the catalogue of HAP & BenS. We see, for example, images from the films "Oosterbeek aan den Rijn" and "De Steeg" made by the Arnhem film company AFKO; and from the films made for Haghe Film "From Arnhem en omstreken" to "Barneveld and Elburg", directed by Willy Mullens.

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"Free Spaces" sketches a new and transformative image of four major cities in Eastern Europe. In te post-communist urban settings of Tbilisi (Georgia), Yerevan (Armenia), Chișinău (Moldova) and Kiev (Ukraine), Ina Ivanceanu follows artists and activists as they reclaim public spaces and assert their freedom of expression. Occupying a cinema, reviving an old Soviet circus, converting a grim metro passage into a glamorous arena, and repurposing a defunct factory building into a cultural agora. By seizing and creatively transforming public spaces characterized by an abondoned past, today's new generation explores democratic means and freedom while also confronting pervasive neoliberal structures in their respective societies.

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