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poster

82

8.2

/349662/

79

/5129/

79

/2786/

4.1

/248183/

93

/69/

93

/7705/

88

/16/

2.5

age 12+

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

poster

78

7.9

/194679/

81

/12290/

81

/8148/

3.6

/587685/

86

/189/

88

/1330/

66

/33/

3.0

age 10+

The story of August Pullman – a boy with facial differences – who enters fifth grade, attending a mainstream elementary school for the first time.

poster

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90

/1/

"In Wallis and Futuna, disability has long lived in the shadows. Invisible to the world, those affected were marginalized, deprived of genuine recognition and a place in society. Behind closed doors, shame and fear of judgment mingled with the pain of families convinced that a child with a disability was a curse. Today, these superstitions are gradually fading. But the wounds of the past remain, and the path to acceptance and inclusion is still long. On this archipelago, it is urgent to make up for lost time in terms of recognition, support, and dignity for every person with a disability."

poster

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70

/1/

One of society’s last taboos is elderly desire, which remains strong for many: half of older adults remain sexual. Advances in medicine and lifestyle mean people in their 70s, 80s, or 90s can still explore and enjoy intimacy. Yet society often ignores this—aged bodies are deemed unattractive, and sexual desire beyond tenderness is stigmatized, sometimes leading to mistreatment in care homes where couples are separated. The documentary Vieillir et jouir sans entraves confronts this taboo. Featuring celebrities and real-life couples—including Francine and Marc (60 years together) and gay couple Jean-Marc and Alain (34 years together)—it explores aging bodies, love, sexuality, and the challenges of libido and illness. The film highlights initiatives supporting sexual expression for older adults, including LGBT-friendly housing and sex-positive care, urging society to rethink its view of aging intimacy.

poster

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80

/1/

N/A

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60

/1/

80

/1/

Today in France, one in five young people suffers from severe depressive symptoms, and the number of minors visiting psychiatric emergency rooms has tripled in the last five years. Despite the political will that has been demonstrated, child psychiatry is nevertheless faced with a severe lack of resources. The interminable waiting times for treatment are causing a surge in prescriptions for psychotropic drugs.

poster

68

?

6.2

/124/

66

/6/

80

/2/

3.2

/282/

In July 2020, Rob Bliss, a young, white filmmaker, posted a video of what happened when he held up a ‘Black Lives Matter’ sign in Harrison, Arkansas, 'the most racist town in America'. It went viral, attracting 12 million views. What Bliss did next was remarkable. Over 1500 miles, two months and 25 miles a day, he set out to walk through the American South, wearing a Black Lives Matter t-shirt, and a sign that invited people to ‘come walk with me’. His goal was simple: to take the conversation Floyd’s murder had sparked about racism in American society into the places where it was most needed, yet most silent.

poster

68

?

6.6

/140/

76

/3/

62

/5/

Made by independent company Wytwórnia A'YoY from Zielona Góra, Poland, mostly by the members of former sketch group Kabaret Potem, this is a modern fairy tale comedy about people living outside the everyday world know to us. Their world is divided into HERE (TU) and THERE (TAM). Here is the world of slums, landfills and vacant buildings, and THERE is the world of glass skyscrapers and riches. HERE is ruled by The President (Stanisław Tym), who is rich enough that he could live THERE, but he choses not to, as HERE he is the king. The story follows regular inhabitants of HERE, Newton (Maciej Stuhr) and his beloved Natalia (Joanna Kolaczkowska).

poster

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78

/2/

N/A

poster

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80

/2/

We admire beauty; we recoil from bodies that are marred, disfigured, different. Didier Cros’ moving, intimate film forces us to question what underlies our notions of beauty as we join a talented photographer taking stunning portraits of several people with profound visible scars which have dictated certain elements of their lives but have not come to define their humanity. The subjects' perceptions of themselves are dynamic, unexpected, and even heartwarming. This is an unforgettable journey to be shared with the world.

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A careful and attentive description of the homeless people in the Parisian métro.

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In Cape Town's informal settlements, created to segregate the racialized population during Apartheid, the South African government never built a sewage system, hence the absence of flush toilets. Each resident must therefore invent an individualized solution for disposing of his or her excrement. Excrétapolitiques is a documentary based on meetings with some twenty people who are fighting against this infrastructural injustice.

poster

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A gay office worker feels alienated due to being straight-passing and not fitting in with his peers. He dreams of a better environment and is outed, leading to a mysterious change in community.

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Discovering your womanhood at 33 when you're a feminist is like exploring a new continent as an adventurer. It sparks a desire to embark on a journey, to understand the world around us, to search for ourselves, over and over again. To engage in the new sexual revolution and trace the roots of sexism and gender, questioning whether sexual education in France can prevent future generations from the patriarchy. But are we ready to deconstruct everything?

poster

?

Judith and Robert wonder about the apartment which separates them. It was Vino's, who died last year, the simpleton of the district. Without knowing it, they are going to dive into the intimacy of their former neighbour, without imagining what waits for them.

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