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poster

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Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

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A coming-of-age story about the first time you act against your true nature. Inspired by the old wives tale - eating the bread crusts makes your hair go curly - Paris explores and her relationship with her crusts, her best friend, and her hair.

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In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

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Fleeting moments of connection.

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A broadcaster goes on the air for one last time.

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Made with thread, chain, beads, tacks, hex nuts, bolts, steel eye pins, hooks, clasps, tracing paper, prints, IKEA paper measure, bobby pins, 35mm photographic film strip, 16mm film strips, nail polish, screenprint, mesh fabric and lace.

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Albert has spent his whole life wanting to travel but he has been stuck at home, living in a small town making enamel signs. He has saved up everything he has and reluctantly sells his home and livelihood to embark on this trip, a lifelong dream that will honor a deceased friend. But the journey he will embark on is not what he has anticipated.

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Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

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A man watching TV stumbles upon his new favorite channel: himself.

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Two people attempt to connect over a great distance.

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Short film of a general landscape about the saturation of the city. 35mm.

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Somewhere between the mountains and valleys a small autumn flower bloomed.

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The sun rises over the tide pools of coastal Maine.

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"The acid soil of New England, its wide stretches of hardwoods, its numerous sugar maples, its rolling or mountainous character, the sunshine of its autumn weather, all these contribute to the glory of this annual display. The birches of Maine the aspens of the White Mountains, the sugar Maples of Vermont, the long rainbow of the Connecticut River Valley cutting from top to bottom through New England, the Berkshires - mention these to anyone who has traveled widely through a New England fall and you will evoke instant memories of superlative beauty." -Edwin Way Teale, Autumn across America, 1956

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