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poster

66

6.3

/4026/

60

/177/

62

/148/

3.6

/21310/

88

/69/

64

/4/

75

/18/

2.0

Island of Tahiti. French government official De Roller is a calculating man with impeccable manners, capable of dealing with both high society and the locals he frequents in shady joints.

poster

51

6.0

/2584/

63

/119/

56

/124/

2.8

/2340/

39

/38/

37

/6/

54

/11/

2.0

In 1891, the French painter Paul Gauguin leaves Paris and travels to Tahiti to renew his art as a free man, far from the European artistic conventionalism. On his journey of discovery, he faces solitude and disease, but he also knows the beauty of wild nature and the love of Tehura, a young native girl who becomes his wife and model.

poster

63

42

6.4

/2870/

68

/41/

63

/43/

3.2

/682/

67

/6/

54

/26/

A crusty, eccentric priest recruits three reluctant convicts to help him rescue a children's leper colony from a Pacific island menaced by a smoldering volcano.

poster

47

24

4.8

/1759/

50

/33/

52

/23/

2.8

/839/

33

/35/

When he's stationed in Tahiti, a sailor hires a witch doctor to keep an eye on his girlfriend.

poster

59

23

6.4

/1259/

62

/25/

46

/14/

3.2

/221/

60

/560/

The crew of PT-73 get into trouble when they back the wrong horse in a race. Now they have to come up with a way to raise the money to pay off the winners.

poster

?

10

/1/

Filmed between 1980 and 1983, Tärava is considered the founding work of documentary cinema in Tahitian and embodies the link between the Polynesian and his ancestral land. To the rhythm of songs, hïmene tärava, the film takes us to discover our mountains and our valleys, and the story of the birth of the tärava. Filmed by Henri Hiro, Angelo Oliver and Harris Aunoa, Tärava looks back on the period during which missionaries settled in Polynesia. They never ceased to prohibit traditional songs and dances because they expressed in their eyes the perversions and lust of these pagan peoples. Drums and flutes, the basic instruments of Polynesian music, were thus banned. Only choral singing was permitted.

?

50

/1/

Through Maori poet, filmmaker and activist Henri Hiro's life and work, Tahitians struggle to safeguard their own identity in the face of colonial invasion and nuclear tests in Mururoa.

poster

?

6.6

/8/

10

/1/

Visually evocative and not only because of the Tahitian setting, this engaging story by femme director Dominique Arnaud starts off with a man looking through the bars of his prison cell out at the landscape beyond. His reverie ends when he suddenly subdues the guard who has come to bring him his meal and in a flash, he is out and free. Various adventures await him within the town and with its people but in the end, he heads off into the jungle. He spends some time building a house and seems content to prefer the company of his radio and the animals around him to the townspeople. Then one day his sharp ears pick up a sound that could threaten his new-found life.

poster

?

7.3

/7/

10

/1/

The film tells the story of a young man (eldest son of a chief) and a young woman (daughter of another chief) who fall in love with each other.

poster

47

?

4.8

/379/

48

/7/

45

/10/

Two 19th-century sailors jump ship only to discover their tropical paradise is a cannibal stronghold.

poster

?

8.2

/20/

70

/1/

70

/1/

Blowing Up Paradise uses color archival footage to chronicle France's explosion of various nuclear devices, in violation of the international test ban treaty, from the first test in 1966 to the last in 1995. Interviews with former and current French government officials, scientists, and nuclear advisors.

poster

?

“Ariipaea-Vahine” is originally a poem by Henri Hiro. This poem will become a play performed several times at the Grand Théâtre and in Moorea by the Pupu Arioi. In 1978, the Matarau cinema unit was created at the Maison des Jeunes et de la Culture. The first film in this department will be an adaptation of the play. In his book "Autonomous Tahiti", Philippe Mazelier defines the piece as follows: "The theme is classic, the parabola transparent: as long as it was faithful to ancestral convictions, Ariipaea passed from the world of men to the world of gods, and Maohi culture was alive. When she converted, the gods stopped speaking to her, and Tahitian culture died. To revive it implies for Henri Hiro to fight Western culture. He calls for a return to basics against the consumer society while the latter, at the same time, is working twice as hard.

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