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poster

74

6.9

/1543/

67

/46/

65

/24/

3.5

/546/

85

/33/

71

/35/

83

/14/

3.5

The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930s. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold...

poster

66

8

7.5

/88/

66

/6/

47

/3/

3.9

/572/

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

poster

?

10

/1/

45

/1/

Short documentary on the reconstruction of the Bauhaus dances of Oskar Schlemmer by Gerhard Bohner.

poster

64

?

6.6

/216/

60

/11/

3.3

/397/

Founded in 1919 by Walter Gropius, Bauhaus was supposed to unite sculpture, painting, design and architecture into a single combined constructive discipline. It is a synthesis of liberated imagination and stringent structure; cross-medial concepts that embellish and enrich our existence, illumination and clarity, order and playfulness. But Bauhaus was never just an artistic experiment. Confronted with the social conditions of that particular time, as well as the experience of WWI, the movement concerned itself with the political and social connotations of design from the very outset. Hence, Bauhaus history is not just the history of art, but also the history of an era that stretches from the early 20th century to the modern day.

poster

?

100

/1/

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

poster

?

6.1

/21/

60

/1/

The film about Max Bill (1908-1994) moves between the dynamic fields of art, aesthetics and politics. Max Bill was probably the most important swiss artist of the 20th century and the most famous student to come out of the legendary Bauhaus in Dessau. He was an ardent anti-fascist and all his avant-garde work as an artist, sculptor, architect and typographer showed a social responsibility and environmental awareness right through his life. His views have become incredibly topical.

poster

54

?

7.3

/116/

10

/1/

63

/3/

3.5

/227/

Bauhaus - The Face of the 20th Century, written and narrated by Frank Whitford, is an art documentary depicting the visual science generated from the outpouring of avant-garde ideas of this innovative educational undertaking.

?

10

/1/

Documentary on the design and choreography of Oskar Schlemmer (1888-1943), an artist and teacher associated with the Bauhaus. After a discussion of his artistic philosophy and goals, illustrated by his drawings, reconstructions of his choreographic works are seen in action, each with a brief introduction.

poster

?

4.9

/52/

75

/2/

The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture. We follow the journey of Munio, my father, born in 1909 in Silesia, Poland, the son of a tenant farmer of a Prussian junker. At the age of 18, Munio goes to Berlin and Dessau to meet Walter Gropius, Kandinsky and Paul Klee at the Bauhaus. In 1933, the Bauhaus was closed by the Nazis, who accused Munio of treason against the German people. Munio was imprisoned, then deported to Basel. He left for Palestine. Upon his arrival in Haifa, he began a career as an architect and adapted European modernist principles to the Middle East.

poster

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Walter Gropius saw stage design as an interplay of various disciplines, comparable to architecture, forming an "orchestral unity." From the structural affinity of the two arts, he derived the necessity of establishing a Bauhaus stage. Here, the fundamental elements of "stage design" were to be examined and reformulated. At the center of the Bauhaus stage was Oskar Schlemmer, who headed the stage workshop from 1923 to 1929. With his Triadic Ballet and the Bauhaus Dances, he explored the tension between people and space, and thus the fundamental conditions of theatrical design, through abstract and geometric play with form, color, sound, movement, and light.

poster

?

As a Bauhaus photographer, Lucia Moholy (1894-1989) was a pioneer of New Objectivity. Her husband László Moholy-Nagy was appointed to the Bauhaus in 1923. They worked there together and László became famous as the inventor of the photogram, a photo without film. Lucia's contribution to this only became known later. When the Czech-born Jew was forced to leave Germany in 1933 after the Nazis seized power, she was unable to take her most important possession, her glass negatives, with her. She struggled to keep her head above water in London and worked for the British secret service on the microfilming of valuable documents. With her vision of microfilm as freely accessible information for all, she is now regarded as a pioneer of the Internet. After the war, Lucia set out in search of her glass negatives.

poster

?

The genesis of To Open Eyes: A Film on Josef Albers developed from Arnold Bittleman's appreciation for Albers while Bittleman was a student at Yale University in the 1960s. Wanting to preserve Albers’s teaching method—learning by doing—Bittleman set out with filmmaker and editor Carl Howard to make a visual record of Albers teaching students how to see and use color as a visual grammar. The film includes archival footage of Josef Albers at home in conversation with Bittleman, as well as footage from Black Mountain College and Yale University.

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