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poster

85

8.2

/9694/

78

/209/

78

/213/

4.2

/20984/

87

/68/

90

/109/

4.0

A biopic of Napoleon Bonaparte, tracing the Corsican's career from his schooldays (where a snowball fight is staged like a military campaign) to his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797.

poster

78

7.6

/77700/

74

/1284/

73

/1293/

3.7

/33183/

79

/146/

85

/3689/

76

/39/

3.5

age 17+

Young Frenchwoman Mathilde searches for the truth about her missing fiancé, lost during World War I, and learns many unexpected things along the way. The love of her life is gone. But she refuses to believe he's gone forever — and she needs to know for sure.

poster

70

6.4

/1390/

67

/42/

65

/38/

3.5

/2436/

88

/25/

46

/4/

80

/10/

3.5

In which Scheherazade doubts that she will still be able to tell stories to please the King, given that what she has to tell weighs three thousand tonnes. She therefore escapes from the palace and travels the Kingdom in search of pleasure and enchantment. Her father, the Grand-Vizier, arranges to meet her at the Ferris wheel, and Scheherazade resumes her narration: “Auspicious King, in old shanty towns of Lisbon there was a community of bewitched men who, in all rigour and passion, dedicated themselves to teaching birds to sing…”. And seeing the morning break, Scheherazade fell silent.

poster

68

6.5

/315/

50

/10/

66

/14/

3.3

/769/

92

/12/

56

/5/

78

/8/

3.0

The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely idiosyncratic ways. But as the family members scatter into private, isolating grief, an unexpected visitor arrives, and they find themselves growing more alert to the hurt, humor, warmth, and burdens of others—to the grief that is part of every human life but that also carries within it the power to draw us together.

poster

70

68

6.6

/10714/

65

/340/

65

/191/

3.5

/22215/

92

/12/

62

/127/

71

/6/

A truck driver plays a cat-and-mouse game with a mysterious serial killer in a van who lures young female hitchhiker victims on a desolate Australian highway.

poster

77

66

7.2

/3659/

63

/53/

65

/67/

3.8

/6903/

100

/5/

87

/40/

In the shady black markets and bombed-out hovels of post–World War II Tokyo, a tough band of prostitutes eke out a dog-eat-dog existence, maintaining tenuous friendships and a semblance of order in a world of chaos. But when a renegade ex-soldier stumbles into their midst, lusts and loyalties clash, with tragic results. With Gate of Flesh, visionary director Seijun Suzuki delivers a whirlwind of social critique and pulp drama, shot through with brilliant colors and raw emotions.

poster

80

61

7.5

/3105/

71

/103/

71

/88/

3.9

/6844/

100

/5/

84

/14/

As the world progresses into the industrial age, a professor studying the "nature of pure matter" is spirited away by a would-be dictator and connived into building a super-bomb, as a young reporter and a girl rescued from the sea attempt to warn him of their mutual kidnapper's intentions to dominate the world with a new and more-deadly-yet weapon.

poster

67

53

6.6

/2226/

65

/31/

60

/35/

3.7

/4555/

79

/57/

62

/29/

69

/20/

The night before she is to move in with her boyfriend, a young Parisian woman picks up a male hitchhiker, leading to a highly charged and impossibly erotic detour.

poster

61

46

6.6

/2569/

58

/47/

64

/67/

3.3

/3625/

51

/38/

A poet is hired by the owner of a wax museum in a circus to write tales about Harun al Raschid, Ivan the Terrible and Jack the Ripper. While writing, the poet and the daughter of the owner, Eva, fantasize the fantastic stories and fall in love for each other.

poster

71

45

6.3

/1541/

56

/37/

61

/50/

3.6

/1947/

100

/9/

78

/3/

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

poster

47

40

3.7

/2880/

43

/57/

38

/59/

2.4

/2948/

89

/9/

32

/68/

An ex-vaudeville actor is working as the assistant to a doctor who has Frankenstein aspirations. The ex-vaudeville actor kills the doctor and decides to assume the identity of the dead physician.

poster

38

30

4.0

/4279/

43

/62/

41

/63/

2.4

/4096/

18

/977/

Newlyweds Eric and Jenni Whitlock retire to his desolate mansion, where Eric's first wife Marianne died from a mysterious freak accident. Jenni, who has a history of mental illness, begins to see strange things including a mysterious skull, which may or may not be a product of her imagination.

poster

56

28

6.0

/705/

40

/28/

52

/29/

3.7

/1322/

Four superimposed rolls of hand-painted and bi-packed television negative imagery are edited so as to approximate the hypnagogic process whereby the optic nerves resist grotesque infusions of luminescent light.

poster

67

16

6.4

/656/

55

/12/

63

/11/

3.4

/412/

85

/11/

Semi-autobiographical story of Conrad Rooks, who travels to France to undergo a drug-withdrawal cure. Flashbacks to the beginings of psychedelia in San Fran. Though initially confusing, as Rooks blends drug-illusion with reality, and cuts color with black-and-white and monochrome tinted shots, "Chappaqua" is conventionally constructed with a beginning, middle, and end.

poster

67

16

6.2

/195/

63

/9/

70

/9/

3.8

/983/

300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.

poster

61

14

7.0

/275/

83

/6/

66

/18/

3.5

/301/

17

Philippe Lutcher, an anarchist, fires a shot at Clara Stuart, a famous stage and screen actress, but only wounds her. The star, through affectation and curiosity to know his motives, pleads in his favour at his trial, but he rebuffs her pity. After he has served 18 months in prison, they meet and fall in love.

poster

53

12

5.2

/230/

52

/8/

49

/14/

3.0

/712/

Two sets of images are superimposed. From the side, we see a two-masted ship. Across the deck walks a skeleton. It sits down, its legs akimbo. The legs separate and continue a dance while the body of the skeleton faces us and the skull moves its jaw bone. It rises and the legs rejoin the skull and body for an additional jig back and forth on deck.

poster

?

5.2

/43/

10

/1/

47

/7/

A black and white preface shows a woman in a traditional kimono climbing the stairs as WWII era Mitsubishi Zeros fly through the sky and footage of the Japanese military of the era is superimposed over the footage. She stops at the top of the stairs to say her prayers, rings a bell, and heads inside where the footage is shot in color. She unravels her kimono and rubs her face with the cloth before wrapping her blade and lovingly touching it. She pulls it across her stomach and slits herself open, falling to the mat. She crawls across the mat, dying, slipping in her own slick blood until she can't move anymore.

poster

?

6.6

/86/

67

/3/

Faithfully reproduced observations of Breton fisherfolk in story of the man a local woman really loves who will not at first give himself to her because of his fondness for the sea that takes him away.

poster

?

6.5

/30/

10

/1/

50

/3/

A multiple-superimposition hand-painted visual symphony of animal life of earth. THE LOOM might be compared to musical quartet-form (as there are almost always four superimposed pictures); but the complexity of texture, multiplicity of tone, and the variety of interrelated rhythm, suggest symphonic dimensions. The film is very inspired by George Melies: the animals exist (in Jane's enclosure) as on a stage, their interrelationships edited to the disciplines of dance, so therefore one might say this hardly represents "animal life on earth"; but I would argue that this work at least epitomizes theatrical Nature, magical Creature, and is the outside limit, to date, of my art in that respect. (The balance-of-light was so perfectly realized in making the neg. of this print that I wish to credit Western Cine Lab's "timer" Louise Fujiki as creative collaborator in the accomplishment of this work.)

poster

?

7.0

/16/

10

/1/

This work, composed of six rolls of superimposed images set to Tenney’s electronic music track ‘Blue Suede’, is a celebration of the balletic restraints of adolescent sexuality — (shaped in this instance) by ‘The Nutcracker Suite’ of Tchaikovsky as well as the gristly roots of Elvis Presley. – S.B.

poster

?

6.7

/7/

50

/1/

Historical information about the opera "O escravo", by Carlos Gomes, highlighting the fourth act, in which Iberê sings Iara's love.

poster

?

7.3

/78/

60

/2/

55

/2/

What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.

poster

?

7.6

/13/

10

/1/

The film Harry Hooton is conceived as a huge energy field combining the energy of light and colour, movement, editing and sound — a dense, vibrating, pulsating work, unrelenting in its thrust; a celebration of Hooton’s definition of art as the communication of emotion to matter.

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