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poster

85

8.3

/241315/

82

/5251/

81

/3079/

4.4

/477007/

91

/124/

92

/1356/

80

/42/

3.5

A mother's last wishes send twins Jeanne and Simon on a journey to Middle East in search of their tangled roots. Adapted from Wajdi Mouawad's acclaimed play, Incendies tells the powerful and moving tale of two young adults' voyage to the core of deep-rooted hatred, never-ending wars and enduring love.

poster

80

70

7.6

/5122/

73

/72/

69

/46/

4.0

/8469/

94

/16/

91

/77/

In 1975, the long slog of civil war has recently begun in Beirut. Two friends, Tarek and Omar, suffer during the Lebanese civil war. Conflicts arise when they decide to cross from West to East, crossing the Muslim-Christian line that divides Beirut.

poster

65

10

7.3

/70/

56

/3/

65

/6/

3.9

/623/

In July 1982, the Israeli army besieged Beirut. Four days earlier, Jocelyne Saab sees her house burn and 150 years of family existence go up in smoke. She then takes refuge in questioning: when did this all begin? How did the Beirut people live the siege? Each place will then become a story and each name a memory.

poster

83

10

8.3

/87/

81

/6/

90

/2/

4.0

/663/

Inhabitants of Beirut talk about their love for the singer Fairuz.

poster

?

20

/1/

‘Objects of War’ is a series of testimonials on the Lebanese war. Each person chooses an object, ordinary or unusual, which serves as a starting point for his / her story. These testimonials while helping to create a collective memory, also show the impossibility of telling a single History of this war. Only fragments of this History are recounted here, held as truth by those expressing them. In ‘Objects of War’, the aim is not to reveal a truth but rather to gather and confront many diverse versions and discourses on the subject. ‘Objects of War’ started in 1999 assembling the testimonials of eleven persons. It was first shown in 2000 . It continued in 2003 with ‘Objects of War n°2’, recording seven additional testimonials. This time however, and since then, the recorded material is left unedited, shown in its integrity. The work of collecting and assembling these stories continued with ‘Objects of War n°3 & n°4’ in 2006 and ‘n°5 & 6’ in 2014.

poster

?

9.3

/9/

Oum Karim, a 60-year-old Beiruti lady, is used to preparing Lahm Bi Ajin (Lebanese ham pie) once per week.

poster

?

62

/8/

83

/8/

Bahij Hojeij’s documentary studies the infamous Green Line between east and west Beirut during the civil war.

poster

?

7.6

/51/

30

/1/

WINE and WAR is a documentary about one of the the oldest winemaking regions on earth and the resilience of the Lebanese entrepreneurial spirit seen through the lens of war and instability.

poster

62

?

6.3

/57/

60

/1/

58

/4/

3.5

/221/

Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.

poster

64

?

6.6

/52/

60

/1/

60

/4/

3.6

/311/

1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.

?

3.7

/14/

"When this last war broke out, I was faraway in Paris. I had but one idea: to return to Beirut as quickly as possible and to begin shooting a film, for historical moments were taking place. This film became indispensible: to film so that history would cease repeating itself and to build up a picture library for future generations. I never understood why so few films were made during the Lebanese Civil War. Apart from the odd film, nothing remains from that time. The war surely merited more attention." (Waël Noureddine)

?

Documentary tracing Hezbollah’s emergence in southern Lebanon after years of Israeli occupation, focusing on its social base, resistance activities, and the return of displaced villagers.

poster

?

Perched in a tower high above Beirut where they monitor the world below through their sniper lenses, two soldiers in the Lebanese civil war find love in their watchful seclusion. The film sketches a humanistic portrayal of two men in love at war and the fragile and violent circumstances that allow them to stay together.

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