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poster

73

7.1

/15892/

72

/514/

68

/216/

3.4

/10850/

91

/138/

76

/629/

67

/30/

3.0

age 13+

It's 1968, and four young, talented Australian Aboriginal girls learn about love, friendship, and war when they entertain the US troops in Vietnam as singing group The Sapphires.

poster

69

?

6.1

/34/

80

/1/

67

/6/

3.4

/227/

Northern Portugal. An imposing residence with its garden and magnolia tree. As we know, home is a place that film, this outdoor art, has often used to depict less the joys of family life than a pernicious space. André Gil Mata has made it his stage, with its rooms, its furniture, what plays out there and what has already played out there. From one room to another, from one era to another, the film delves deep into this enclosed space, a kind of suffocating box.

poster

73

?

7.9

/227/

72

/12/

70

/1/

3.7

/311/

Brenda’s first memories were of growing up in a loving white foster family, before she was suddenly taken away and returned to her Aboriginal family. Decades later, she feels disconnected from both halves of her life, so she goes searching for the foster family with whom she had lost contact. Along the way she uncovers long-buried secrets, government lies, and the possibility of deeper connections to family and culture.

poster

?

20

/1/

The stories in The Habits of New Norcia are told by former Western Australian Aboriginal child 'inmates' of the New Norcia Benedictine Mission who were separated from their families in the 1940s, 50s and 60s and confined in this "orphanage without orphans". In recent decades the New Norcia Monastery has been packaged as one of the State's leading cultural tourist attractions. "A unique blend of Spanish architecture, European art treasures and pioneer history," "Monks, Music & Mystery," "New Norcia, Australia's only monastic town," the brochures announce. Aboriginal testimony in the film challenges this revised and sanitised history. The documentary provides damming evidence of the continuing violence of the Mission against its victims by deliberate omission of their experience in the New Norcia museum, guided tours, art gallery and promotions — an omission that represents a cruel and wounding cover-up.

poster

?

8.3

/70/

80

/5/

75

/4/

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

poster

?

After a mysterious girl enters their lives, two sisters uncover a chilling link to a manipulative man from her past. As hidden truths surface, the family is pulled into a dangerous web of deceit, identity, and survival

poster

?

Between 1924 to 1970, Kinchela Boys Home in Kempsey, New South Wales, saw an estimated 400 to 600 Aboriginal children exposed to routine acts of cultural genocide and remains one of Australia’s most notorious institutions of the Stolen Generations. After being stolen from their families, country, and community, children were stripped of their names, given numbers, and subjected to ‘reprogramming’ and strict regimes of manual labour. We Were Just Little Boys is narrated by KBH survivors.

poster

?

A young man at the end of his life is stalked by death, while this is happening, he expresses his doubts about existing or what are we?, why are we here?, and also abounds the questioning of why? we suffer and if that is what makes us human beings

poster

?

Colebrook Blackwood Reconciliation Park is where the Colebrook Training Home once stood. It is now a permanent memorial for the Aboriginal children of the “Stolen Generation” and their families.

poster

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Angels Gather Here’ follows Jacki Trapman’s journey back to her hometown of Brewarrina to celebrate her parents, Bill and Barbara’s 60th Wedding Anniversary.  Going home is never easy for Jacki. Amidst the family celebrations she reflects on her life; her story symbolising the strength, dignity and resilience of many Aboriginal people in the face of adversity.

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