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Women in the Shadows (1991)
Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
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Prairie Women (1987)
This film illustrates the struggles of Canadian prairies women to achieve a more just and humane society within the farm movement and at large. During the early 1900s, women on the prairies looked for ways to overcome their isolation. Out of the resulting farm women's organizations grew a group of women possessing remarkable intellectual abilities, social and cultural awareness, and advanced worldviews.
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D.O.A. Live at The Jockey Club (1986)
Canada's Hardcore legends, D.O.A., ply their political brand of Punk Rock in Newport, Kentucky in 1986.
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Shadow on the Prairie (A Canadian Ballet) (1953)
A ballet about the settlement of the Canadian West and the fate of a young wife who comes to the prairies with her husband.
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First Journey, Fort William (1987)
Set in 1815, this is the dramatic story of a child of the fur trade, son of a Native mother and a Scottish-Canadian fur trader. John Mackenzie's father is a wintering partner of the Montréal-based North West Company, which was for decades the wealthiest merchant enterprise in North America. To mark his entry into adulthood, twelve-year-old John is travelling for the first time to Fort William, the Company's lavish winter headquarters by Lake Superior. In following his journey, the film reveals the complex network of people--Scottish, French and Native Canadian--that made up fur-trading society and gave a unique flavor to the opening up of Canada's northwest.


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