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poster
?
4.8
/10/

La alegría de la huerta (1940)
In Murcia, a southern province of Spain rich in fruits and vegetables parcels, a girl and a boy are in love but he is so shy that she accepts a rich competitor proposal. From the zarzuela of the same name.
poster
?
5.6
/27/
40
/4/
40
/5/

La revoltosa (1963)
Mari Pepa, a beautiful laundress of Madrid, and Felipe, a carpenter, are in love but they are always quarreling over trifles. However, she must marry with the fence Don Leo to help his father, a drunk player who has committed a robbery and has determined the family jewels.
poster
?
4.7
/22/
45
/2/

Maravilla (1957)
N/A
poster
?
6.1
/23/
60
/1/
53
/3/

The Pharaoh's Court (1944)
The wise men of the kingdom interpret a dream of Pharaoh and decide that Putifar, a victorious general, should marry Lota, a virginal slave.
poster
64
?
7.0
/100/
60
/6/
58
/6/
3.5
/243/

Madrid (1987)
Hans, a German director, is in Madrid to film a television production about the capital and the Civil War, 50 years after it occurred. Accompanied by Lucía, his editor, and Goyo, his cinematographer, he films shots of the modern city, searching for spaces and people related to its past. At the same time, he views materials related to the past. In this search, Hans questions the point of his project, and disagrees with his producers until he discovers a project that he is passionate about.
poster
?
5.6
/25/
45
/2/

Gigantes y cabezudos (1926)
Ricla, a village in Aragon, Spain, 1898. The imminent wedding between Jesús and Pilar, two young lovers, is frustrated when he is drafted to go to the war in Cuba.
poster
?
7.4
/90/
25
/2/
35
/2/

Rosario (2010)
Based on a true story and set in one of the most colorful periods in Philippine history, ROSARIO is destined to be a modern masterpiece in Philippine filmmaking. It is a monumental yet intimate portrait of a woman's emancipation and the sometimes painful consequencesof following one's desires.
poster
?

Los claveles
N/A
poster
?
4.2
/6/

Moors and Christians (1926)
The love of a young woman, Dolorcitas (Ana Giner), descended from a less aristocratic family is disputed by her husband, an enterprising entrepreneur, Melchor Llorens (Leopoldo Pitarch), and by an old and young suitor, Daniel Soler (Ramón Sernequet), a young man with a cradle and a waste of family wealth. This one through the blackmail puts the name of the young woman in question. The festival of Moros y cristianos, in which both are captains, will serve to unmask the young man, save the girl's name and redo the happiness of his marriage.
poster
?

El rey que rabió (1940)
N/A


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