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poster

66

9

6.6

/352/

64

/13/

70

/11/

3.5

/222/

60

/1/

Flowers examines the lives of six women across three generations, from the Show period all the way through to the present day.

poster

?

6.7

/30/

60

/1/

French-made documentary, "Métro Lumière", which actually does help provide some of the context for Hsiao-hsien's approach to the film. It includes excerpts from Ozu's films, in particular, "Equinox Flower", to show the parallels with this film, the obvious basis for some of the scenes and situation set-ups.

poster

?

Film scholar David Bordwell discusses Ozu's 1959 color film Ohayo (Good Morning). He analyzes Ozu's use of color, composition, and his characteristic transitional shots. While some see this film as a remake of Ozu's 1932 silent I Was Born, But..., Bordwell believes the connection is not that simple, and contrasts elements of the two films, outlining Ozu's growth over his decades of work, and the variations he worked within his chosen limits.

?

A bated tension provides the milieu for this measured narrative about reserved honesty and stunted youth. Will Kragen has done something wrong. But the discovery of his deed is preempted by the appearance of his father eager to start their camping trip. The foreboding discovery of Will's mischief is tardily eclipsed during his days of forest dwelling leading to an abrupt but quiet disclosure.

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