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poster

88

8.0

/131951/

77

/2047/

81

/2473/

4.3

/245034/

97

/62/

91

/2559/

93

/23/

4.0

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

poster

82

7.2

/5101/

72

/165/

68

/122/

3.9

/20498/

99

/110/

77

/9/

93

/29/

4.0

Iranian director Jafar Panahi, who has been barred from leaving the country, arrives at a village on the Iran-Turkey border to supervise a film based on a real-life couple seeking passports to Europe being shot in Turkey, but both his stay and the production run into trouble.

poster

59

54

5.9

/5223/

57

/348/

54

/102/

2.9

/4105/

51

/22/

75

/4/

Donald Trump has it all. Money, power, respect, and an Eastern European bride. But all his success didn't come for nothing. First, he inherited millions of dollars from his rich father, then he grabbed New York City by the balls. Now you can learn the art of negotiation, real estate, and high-quality brass.

poster

63

?

7.4

/62/

36

/3/

70

/5/

3.6

/230/

In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in Paris’ eleventh arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ‘60s. Its political content is deliberately left negligible: it’s hard to tell at the end who did actually win the election, let alone why.

poster

?

Self-reflexive experimental documentary that reads more like a sketch video

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