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poster

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7.6

/10/

1977 film fragment by H.R. Giger and J.J. Witmer

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75

/2/

16mm Starring Charls Carroll

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60

/1/

In the ruins of the Disibodenberg monastery, the voice of Hildegard von Bingen sneakes through the walls. As the day goes by, the space empties of people, and with the arrival of the night, a vision emerges.

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70

/2/

Ximena adds three more graves, a martial arts short shot on 16mm film. Nominated for Best Short.

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10

/1/

Live-action, real-time, recreations of actual postcards.

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10

/1/

Slide-show of genuine postcard 'fronts' set to readings of their 'backs.'

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100

/1/

A woman conceals an intimate secret in São Paulo, unaware that her sister is following her closely.

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10

/1/

In a courtyard somewhere in Washington D.C., Senator Stevens walks and talks with President Nixon in this brief silent color film.

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100

/1/

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

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63

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6.3

/27/

50

/2/

70

/1/

3.5

/366/

The director offers a rare glimpse of the actor and fashion muse Chloë Sevigny in the late 90s when she as an emerging ingénue. Shot on 16mm black and white, Sevigny plays air guitar and dress-up in a film that beautifully captures the spirit of the time.

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37

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3.2

/478/

50

/17/

21

/5/

2.4

/481/

A group of American tourists travels across Eastern Europe. By accident, they get to Chernobyl, where they face some local evil. These are the ghosts of killed citizens who tried to flee the city through military cordons. But it turns out that not all inhabitants of the Exclusion Zone are dead. The group have to reveal the mystery of an unusual girl from the dead city and try to get out from this place alive.

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Amidst rising xenophobia, three South Asian settlers paint a more holistic picture of what Brampton is today. The film acts as a fleeting memory, creating vignettes of the ever changing cultural pocket, through multi language prose and 16mm film.

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In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

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Time-traveling anthropologists document the heartbreak of an aspiring entrepreneur in Los Angeles. In ir/reverent homage to mid-20th century documentary films, this fictional documentary turns a comically “objective” lens on the shadows of trauma lurking behind American masculinity.

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Short film based on Stephen King's short story 'All That You Love Will be Carried Away'.

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Produced by Jack McGaw and co-produced by The National Research Council, the Ontario Ministry of Transportation of Communications, and Toronto/Ontario Provincial Police, they demonstrate dangers of driving under the influence of alcohol and drugs with participating young drivers alongside field experts and researchers to aid in their experiments.

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A woman is chased by the wind of an arriving train. What follows is a visual ride, the camera becomes a protagonist of the film itself. The levels of inner film reality and the film material itself influence each other more and more to the point of physical destruction.

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A lost psychedelic 16mm film reel blending unsettling animation, mime , and drugged-out voice over, created by IMAGO for the United Church Board for Homeland Ministries. Based on Gabriel Fackre’s 1974 preparatory text for the World Council of Churches’ Nairobi Assembly, the film offers a visual interpretation of “Jesus Christ Frees and Unites,” channeling themes of spiritual liberation and collective awakening through surreal, church-coded countercultural imagery.

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A compilation of non-narrative, mischievous, fictional tableaux vivants featuring two young women on a dreamlike, summer-like quest for self-discovery, written in the glittery language of music videos, fashion shoots, and meandering streams of consciousness, set to a nostalgic mood track that evokes universal, bittersweet sentiments.

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In 1960s Nagaland, a proud Konyak chief struggles to protect his dying traditions when an American missionary arrives with promises of aid that threaten his people’s identity. As his wife’s health deteriorates and famine looms, he and his mute son must make an impossible choice between survival and staying true to their ancestral ways.

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When a cinephilic line cook, Hogan, meets Sierra, the girl of his dreams, he must navigate his past trauma and deal with the truth behind his father’s absence.

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"Everything You Ever Wanted in a 16mm Projector" is an RCA promotional film made for the RCA 1600, probably in the mid-1960s. Yes, everything . . . brilliant pictures, superb sound, simple operation, smooth, safe film handling, instant performance, good looks, light weight, ruggedness — even an automatic threader that never touches the film !

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A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.

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A satirical look at suburban life via the "family Christmas letter."

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Jack's life (and kitchen) is turned upside down when his fridge begins to talk to him.

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N/A

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A forgotten history of Northern Ireland is unveiled through a journey into Ulster Television’s archives, and the rediscovery of the first locally-produced network drama, Boatman Do Not Tarry.

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Story about the last original "American Diner" in Miami, Florida. Since 1938 the S & S has been owned and operated by the family of the present owners, Charles and Jean Cavalaris. The S & S Diner is the ubiquitous Miami landmark on Northeast Second Avenue, known for serving large portions of homestyle food.

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Knucklebones follows the course of hysterical outburst to instances of alienation and isolation. From a 1903 newspaper, "While fifteen hundred persons looked on in breathless excitement, an electric bolt sent the man-killing elephant staggering to the ground. With her own life, she paid for the lives of the three men she had killed." The film combines archival with Super8 and 16mm original footage and intertext in an experiential exploration of gender, sexuality and identity. Featuring Katherine Crockett, prior to becoming a Martha Graham Dance Company soloist. "A haunting evocation of the body under stress."-Kathy Geritz, Pacific Film Archive

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Sunlight in a winter forest.

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Wind blows through the snow covered hills after a winter snow storm.

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Wildlife in an early spring wetland.

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A study of the seashore in mid-coast Maine.

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A golden sunrise brings light to the foggy hills and meadows of late summer.

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A short film featuring a pebble beach and coastal salt marsh in Maine.

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A short film featuring a coastal forest and the rocky coastline of downeast Maine.

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Mountain wildflowers in a dense fog.

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Morning dew in summer fields and meadows.

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In the early 1900s commercial loggers cut down an old growth spruce tree growing on a small island surrounded by tide pools on the coast of Maine. Out of the trunk of this ancient tree grew two new trees, side by side.

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Clouds forming and moving through the summer sky.

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A close look at flowers and pollinators on a sunny summer morning.

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A short film shot on 16mm about memory, grieving, and siblinghood.

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"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins

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DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.

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Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

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