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poster
81
7.7
/38939/
77
/1031/
74
/411/
4.1
/68401/
92
/117/
93
/3140/
85
/29/
cc age 15+

Hedwig and the Angry Inch (2001)
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
poster
70
6.6
/3959/
67
/84/
67
/44/
3.3
/3282/
63
/16/
71
/295/
65
/6/

Godspell (1973)
In modern-day New York City, John the Baptist calls out to a group of young men and women to learn from the teachings of Jesus. Through song and dance, they relive Christ's crucifixion.
poster
MGM Plus
54
33
5.7
/1485/
60
/24/
54
/27/
3.1
/392/
50
/24/
48
/69/
48
/15/

The Fantasticks (2000)
Widowers Amos and Ben plot to romantically unite Amos' daughter Luisa and Ben's son Matt by pretending to feud and forbidding the teens to associate, knowing they will resist their fathers' interference. As the youngsters fall in love, the fathers plot to end the 'feud' by hiring a travelling showman to fake an abduction and allow Matt to 'rescue' Luisa.
poster
?
8.1
/36/

Godspell (2017)
Follows the story of Jesus Christ as he forms a community of lovable disciples, who teach lessons by singing songs and performing skits, before culminating in his betrayal and crucifixion.
poster
?
6.6
/40/
10
/1/
60
/1/

Dames at Sea (1971)
Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."


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