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poster

66

60

6.8

/8223/

63

/204/

66

/360/

3.5

/21825/

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

poster

67

48

6.7

/2178/

65

/53/

65

/79/

3.7

/5865/

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

poster

73

46

7.4

/2464/

68

/66/

70

/72/

3.9

/6141/

76

/9/

A man attempts to evade observation by an all-seeing eye.

poster

53

46

5.6

/7057/

51

/157/

55

/204/

3.1

/22600/

43

/28/

Lynch's first film project consists of a looping animation of six people vomiting projected on to a special sculptured screen featuring twisted three-dimensional faces.

poster

61

38

6.4

/1165/

57

/30/

58

/55/

3.4

/2441/

Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's back to work. When the stove still won't light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave?

poster

56

37

5.6

/1620/

55

/55/

53

/66/

3.0

/7087/

A man approaches a woman in a field.

poster

61

35

6.2

/1131/

59

/31/

60

/56/

3.3

/1576/

Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.

poster

54

32

5.5

/827/

42

/26/

53

/39/

3.3

/1902/

A stand of birches. Sunlight brightens and dims, revealing more or less of the woods. A little grass is on the forest floor. Is there a shape in the shadows? Something green is out of focus. The light flashes, and the screen goes dark from time to time. We look up close at the bark of trees. Is the god of the forest to be seen?

poster

55

30

5.4

/880/

53

/30/

55

/47/

3.0

/1448/

Country rube thinks what he sees on the movie screen is real. He jumps out of his seat to try to stop a kissing scene.

poster

58

27

5.8

/770/

55

/22/

58

/38/

3.1

/1048/

A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out.

poster

54

27

5.5

/770/

53

/23/

50

/32/

3.0

/1653/

The titles tell us this film is based on an incident in the Boxer Rebellion. A man tries to defend a woman and a large house against Chinese attackers. They attack with swords, guns, and paddles. He's over-matched. What will become of the mission, its defenders, and its occupants?

poster

57

25

5.5

/535/

61

/26/

54

/18/

2.9

/6141/

Based on the classic Brothers Grimm fairy tale, Hansel and Gretel is a dark and stylized, black and white, German Expressionistic silent picture featuring detailed design and an eerie musical score.

poster

61

24

6.2

/754/

60

/13/

61

/28/

3.2

/934/

On Christmas Eve, Santa feeds his reindeer and loads his sleigh, before going on his journey to deliver toys to the children of the world.

poster

56

21

5.6

/644/

53

/11/

53

/26/

3.1

/909/

In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.

poster

58

17

6.7

/947/

62

/27/

64

/21/

3.3

/538/

31

/2/

Mrs. Hardy throws Ollie and Stan out of the house. They try to impress two young ladies at a golf course and end up fighting with other golfers.

poster

59

14

6.0

/486/

60

/13/

55

/16/

3.2

/544/

A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer on the scene climbs the fence, enters the house, and is soon fighting with the thief on the roof. Falling from the roof, the officer is injured and requires an ambulance. Meanwhile, the thief flees, pursued by more men in blue.

?

60

/1/

A lonely boy, one day finds a small strange creature on his windowsill and decides to make it his pet.

poster

?

8.4

/12/

38

/5/

A meeting of filmmakers, one idyllic country estate, a fictional optical sound lead, a documentary super-8-image-storm. Both uncut.

poster

?

6.6

/48/

58

/5/

58

/4/

Trees, the sea, megaliths, an iron bridge, a feminine figure filmed at the dying of the day.

poster

?

4.6

/8/

10

/1/

Avant-garde filmmaker Ken Jacobs presents Buster Keaton's short silent comedy Cops (1922) as his own work by blacking-out approximately the top three-fourths or four-fifths of the frame.

poster

?

5.3

/7/

60

/2/

A gorilla falls in love with an alien.

poster

?

7.0

/6/

A sink sitting in the low tides. A boy playing by the beach. A chanced meeting. 'Sink' is a distilled exploration of innocence and experience; love and loss - an intimation at what might lie beyond.

poster

?

50

/1/

A young woman is on the verge of committing suicide when things take an unexpected turn.

poster

?

4.4

/33/

43

/3/

40

/1/

The model of a photographer keeps changing from a beautiful woman to an ugly tramp.

poster

?

8.0

/42/

60

/1/

The first of two devotional songs. Part One of a set of Two Devotional Songs. “The Visitation” is a gradual unfolding, an arrival so to speak. I felt the necessity to describe an occurrence, not one specifically of time and place, but one of revelation in one’s own psyche. The place of articulation is not so much in the realm of images as information, but in the response of the heart to the poignancy of the cuts.

poster

?

4.6

/38/

35

/2/

A three-minute long insight into the life of completely unusual people – a group of pacifists forced into hiding in the cellar of a ruinous house to escape a war tribunal. The difficulties of war are manly endured by the film’s characters. This film, like most of Yufit’s works, shows his love of 1920’s avant garde cinema, which was considered the highest pinnacle in cinematography. The director believes the art of moving pictures was more heartfelt before sound and colour. “The development of technologies is not a particularly positive thing for human existence,” says Yufit. —Arsenals Film Festival

poster

72

?

8.1

/1087/

66

/3/

71

/4/

Life is an experimental super short film about time of life. The duration of this film is only 4 seconds (not minutes) because life is very short and very fast.

poster

81

?

6.3

/924/

50

/38/

60

/41/

3.6

/3245/

A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot.

poster

?

7.2

/19/

10

/1/

60

/1/

Sandy Duncan hosts an all-star Hollywood cast as she takes us on a tour of Disneyland. But not just any tour, Sandy Performs inside It’s a Small World, The Haunted Mansion, Pirates of the Caribbean, and more. She finds Mickey Mouse, Minnie Mouse, Donald Duck, and Goofy. Additional performers include Ernest Borgnine, Ruth Buzzi, Ted Knight, John Davidson, Lorne Green, Kenny Loggins, Jim Messina, The Jackson Five, Doc Severinsen, Marty Ingels and Alan Sues among others.

poster

?

10

/1/

Two lovers who find little acceptance in the world they live in try to find somewhere they can just fit in.

poster

42

?

6.5

/108/

20

/1/

A surreal, dreamlike film exploring love, depression and death.

poster

?

7.8

/24/

26

/3/

An experiment in mood, a study in sensuality, and an erotic poem that captures the intimacy of three gay male couples as they kiss.

poster

?

6.5

/28/

A deep dream of a middle aged depressed woman through a space and time between a gap of a single breath, from inhaling a tobaco and breathing it out. Her journey begins by the routine daily life, and continues to her past , where she meets her childhood, the dream will finish by witnessing a near future incident, which she is deciding to bring about.

poster

72

?

6.8

/6/

77

/42/

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

?

7 students experience sublime weirdness and brush their teeth.

?

Tom O'Halloran's Christchurch-shot, silent Super 8 film One Way to the Sea posits a dystopian nightmare in the earthquake-struck city. Featuring a man enslaved to a depressingly quotidian routine who is haunted by dark and disturbing images, O'Halloran's film combines the malevolent and the mundane in a style reminiscent of the early works of David Lynch.

poster

?

The eighth film from Shahriar Hanife's series of experimental etudes, an Iranian researcher.

poster

?

Longing to lose herself in unrequited love, Luz recalls her mania for the object of her desire. Convinced of having taken possession of a part of him, she will plunge into an abyss of her own creation.

poster

?

A lonely artist leaves his paintings on the front doors of people's homes in an attempt to connect with them. However, one person won't accept his gift.

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