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poster
JustWatch TV
81
73
7.9
/4983/
74
/100/
73
/87/
4.0
/5369/
95
/21/
90
/48/

The Last Command (1928)
A former Imperial Russian general and cousin of the Czar ends up in Hollywood as an extra in a movie directed by a former revolutionary.
poster
71
63
7.0
/6166/
68
/93/
65
/91/
3.4
/3030/
86
/14/
70
/85/

Anna Karenina (1935)
In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.
poster
66
33
6.8
/1283/
58
/18/
56
/34/
3.4
/722/
86
/7/
60
/2/

Love (1927)
In Imperial Russia, Anna Karenina falls in love with the dashing military officer Count Vronsky and abandons her husband and child to become his mistress.
poster
64
24
7.2
/901/
68
/59/
62
/27/
3.2
/709/
58
/9/

The Adventures of Young Indiana Jones: Travels with Father (1996)
While visiting Russia on his father’s lecture tour, Indy runs off on his own and meets Leo Tolstoy. Later, on a trip to Athens, Indy and his father are forced together by circumstance when they get into a bind in the monasteries of Meteora, where they share some memorable moments.
poster
?
4.1
/18/
40
/1/

The Red Barrier (1912)
A short romantic drama about a woman who is worshiped by both a lieutenant and a Russian diplomat; the latter wins, but later turns out to be a brute. A duel in the snow ensures that the lieutenant gets the woman, but both of them suffer from visions in which the deceased appears as soon as they try to get together.
poster
?
4.5
/16/
20
/1/

Le nihiliste (1906)
During a raid, a police officer is shot, and a woman is mistakenly arrested for the crime. Despite the pleas of her mother, she is sentenced to Siberia, but she dies along the way. Her mother decides to take revenge.
poster
?
7.8
/51/
52
/4/
60
/6/

Prisoners of War (1995)
This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA


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