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poster

69

36

7.0

/461/

69

/111/

73

/93/

3.3

/981/

A thrilling journey through legends, belief and folklore, this film goes behind the scenes with the British Library as they search to tell that story through objects in their collection, in an ambitious new exhibition: Harry Potter: A History Of Magic. J.K. Rowling, who is lending unseen manuscripts, drawings and drafts from her private archives (which will sit alongside treasures from the British Library, as well as original drafts and drawings from Jim Kay) talks about some of the personal items she has lent to the exhibition and gives new insight into her writing, looking at some of the objects from the exhibition that have fired her imagination.

poster

52

30

5.5

/745/

49

/35/

52

/56/

2.6

/3308/

Abel, Marianne and their 13-year-old son Joseph live together in Paris. Their everyday existence is thrown into turmoil when Abel and Marianne discover that Joseph has secretly sold valuables from the family home to finance a mysterious ecological project he and his friends have in Africa. They’re about to save the planet.

poster

?

10

/1/

George Bernard Shaw’s illustrious friends pay tribute to his talents – with anecdotes, artefacts and one-liners.

poster

?

Blending archival footage, haunting melodies, and digital reconstructions, Hyjnesha në Fron traces the echo of loss across Kosovo's turbulent history, from forgotten rural struggles to national aspirations erased by war. A musical, visual essay shaped by absence, which resurrects physical memory through 3D reconstruction, showing how history persists even when its material proof has vanished.

poster

?

Four French museums, the Louvre, the Quai Branly, the French National Library, and the Rouen Museum, are faced with pressing demands for the return of works of art. The number of demands is multiplying. They come from all over the world, and in particular from Egypt, Mali and New Zealand. The question of returning works of art to their countries of origin is increasingly making news. Take for example the emotions aroused by President Sarkozy’s decision, on the 12th November 2010, to return 297 royal manuscripts to South Korea. The ensuing row involved diametrically opposed points of view. Was it a violation of the principle of inalienability of France’s national collections or was it a just reparation for the victims of colonization? The rich countries’ great museums and the countries of origin have completely different visions of the issue. The museums defend the idea of a universal museum whose works belong to the whole of humanity.

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