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poster

47

?

4.7

/287/

55

/16/

41

/7/

Alma, Azi Acosta, is a high-end bar girl. She has decided that prostitution is her profession, her life, her means to achieve her dreams and her happiness. She caters to all men who can afford her price. But she favors two men: a rich lawyer and a bank executive whom she calls Tiger Joe and Kabayo respectively. Another regular customer is a student who has professed his undying love for her. Alma's routine life is disturbed when Sheila, Jaclyn Jose, an aging street prostitute, introduces herself to Alma as her mother who sold her to strangers after birth. This meeting will open the door to Alma's past that she has refused to confront. A long-lost ailing mother, the search for a father, and the truths of a painful past will test the values of these two women who have become victims of poverty and men. In the end, Alma and Sheila will make choices that will define them not only as individuals but as women.

poster

58

?

6.8

/128/

55

/7/

53

/7/

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)

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