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70
/1/

I hate my mother and my mother hates me
Sebz traces an intimate and heartbreaking journey through her past and present, exploring the nuances of her identity as a non-binary, black, asexual trans person. Through an introspective narrative, Sebz reflects on the abuse she suffered as a child and the revelation that these experiences were not unique, but also familial. In a space where memory and reality intertwine, Sebz confronts her relationship with her mother, a complex connection torn between rejection and a search for understanding, accentuated by tensions of gender, sexuality and shared trauma. This short queer documentary is an honest and courageous portrait of wounds, family ties and the resilience that defines those who seek to exist beyond social impositions.
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9.0
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100
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Black Feather (2024)
After the death of his mother, Carlos returns to his childhood home. During a long night, Carlos is confronted with the many neighbors of his hometown, who will try to test him and lead him to madness.
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Faint Traces (2025)
In Paris, Lola, a carefree artist, and Emma, a guarded runaway share a life of art, stolen thrills, and quiet intimacy. When Emma leads Lola into what seems like just another heist, the night unravels into a confrontation with Emma's past. What was meant to be a game forces them to test the unspoken bond that holds them together.
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The Ned Kelly (2025)
A 20-something rebels against the stinking government!
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Él Ya Vivía Aquí (2024)
Emma, ​​an alcoholic mother, must deal withthe fears of his little son Tomás in a dark night but the appearance of a sstrange monster will complicate things.
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M/OTHER
Iren, who went to visit her grandmother with her mother (Lal), finds her grandmother dead at home. Lal is forced to stay at the deceased mother's house with her child (Iren) for a while to host guests and clean the house. Due to the stress of the situation, Iren is unable to speak (selective mutism/temporary mutism). Lal becomes overly protective of her daughter due to her mutism. Her greatest fear is leaving more wounds with her death than she did while alive. Already afraid of leaving permanent marks, Lal cannot remove the stain left on the wooden floor where her mother died and becomes increasingly tense. In an attempt to conceal it, she covers the stain with a cabinet and tries to entertain guests this way. Meanwhile, Iren begins to hear noises coming from under the unrevealed stain. Despite Lal's efforts to protect her daughter, Iren starts to become a part of the family amid these sounds.


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