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poster

?

6.3

/31/

35

/2/

After the tsunami disaster and rumors of aid fund embezzlement, Arya is frequently terrorized by visions of a place believed to be the Shiratal Mustaqim bridge — the dreaded bridge in the afterlife that connects to heaven and stretches over hell. Arya and his mother then try to investigate the connection between the embezzlement and the Shiratal Mustaqim bridge. However, their pursuit comes at the cost of their lives.

poster

?

5.6

/67/

13

/3/

30

/3/

A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)

poster

?

5.5

/51/

65

/2/

Psychologist Luisa, unable to heal herself, retreats to an East Frisian island for peace, only to encounter her former love Robert and be drawn into a local murder mystery. When the victim’s teenage son Mark, friend to Robert’s sons, spirals toward suicide, Luisa risks everything to save him.

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