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poster
70
32
6.8
/678/
69
/21/
69
/19/
3.8
/4455/

Nomad (1982)
Four carefree lovers in Hong Kong enjoy their youth while danger looms on the edges.
poster
69
11
6.7
/157/
70
/2/
66
/7/
3.7
/623/

The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images (2011)
A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.


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