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Dead End (2024)
Two brothers come into contact after a very long time due to the discovery that the world is going to end. Together, they find themselves face-to-face with the inevitable dilemma to either save the reality of their relationship or the world's existence.
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Exergo (2024)
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
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Wound (2023)
Hermetically sealed and sunk in non-chronological qualities of time, the experience of the wound is always relived torturously, quoting a series of dualities: immobility-movement, inactivity-activity, absence-presence, alienation-proximity, pain-pleasure. Seven long takes represent the wound as something that probably pre-exists and then takes place in an (anti-)erotic situation.


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