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poster
Criterion Channel
80
7.4
/7298/
69
/137/
72
/118/
3.8
/11405/
92
/24/
78
/125/

The River (1951)
Director Jean Renoir’s entrancing first color feature—shot entirely on location in India—is a visual tour de force. Based on the novel by Rumer Godden, the film eloquently contrasts the growing pains of three young women with the immutability of the Bengal river around which their daily lives unfold. Enriched by Renoir’s subtle understanding and appreciation for India and its people, The River gracefully explores the fragile connections between transitory emotions and everlasting creation.
poster
Kanopy
67
6.5
/2321/
67
/42/
60
/41/
3.3
/1461/
79
/14/
58
/26/
cc age 14+

Heat and Dust (1983)
Anne is investigating the life of her grand-aunt Olivia, whose destiny has always been shrouded with scandal. As Anne delves into the history of her grand-aunt, she is led to reconsider her own life.
poster
66
6.5
/5927/
65
/121/
66
/159/
3.2
/2131/
56
/16/
74
/156/

City of Joy (1992)
Max Lowe is a Houston surgeon who has grown weary of the bureaucracy of American medicine. When he loses a patient on the operating table, Max impulsively decides to leave America and travel to India in the hope of finding himself. Not long after he arrives in Calcutta, Max is attacked by a group of thugs and left without money or a passport.
poster
64
18
6.8
/417/
64
/5/
58
/5/
3.5
/231/
63
/103/

The Householder (1963)
Prem, a young school teacher, is arranged married and begins the journey of learning the roles and responsibilities required of him.
poster
42
?
6.0
/148/
53
/5/
14
/4/

Hullabaloo Over Georgie and Bonnie's Pictures (1978)
This lighthearted romp through Royal India presents a world of Maharajas, palaces, imperiled art objects, and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and Larry Pine star as two rapacious art collectors who come to the decaying Art Deco palace of a young Maharaja (Victor Banerjee) to examine a legendary collection of Indian miniature paintings. While vying with each other to get the pictures away from the royal couple—nicknamed Georgie and Bonnie as children by their Scottish governess—they must also divine the true motives of the Indian curator of the collection (Saeed Jaffrey), who, in league with the Maharaja’s beautiful sister (Aparna Sen), may be working against them. Amidst the backdrop of lavish tourist entertainments, Christmas parties, fireworks, and even an English ghost, a desperate game of palace intrigue will determine the ultimate resting place of the priceless paintings.


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