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poster

70

5.9

/1417/

56

/86/

58

/20/

3.4

/8241/

90

/70/

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/12/

87

/22/

3.5

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

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40

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A visualized poem by Toma & Boyan.

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100

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A kaleidoscopic montage, interpreting the poem "Our Punjabi Market" by Kuldip Gill depicting the vibrance of the Punjabi Market at 49th and Main in East Vancouver, BC.

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40

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A haiku film poem. the early morning waiting for the monks. the voices. the fire. the wat drum.

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10

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a haiku films, a poem by Nha Thuyen

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100

/1/

Fed up with surviving on social crumbs, he takes a surreal flight to find a hidden truth. In a dull world, we need color, but what if this colorful idealization turns against you?

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45

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Digital images decomposing in rain-like effects. A visual poem, trying to capture the poetics of a cinematic rain shower into the structure of its images. Still images from the 1982 science fiction film noir classic Blade Runner become animated, a frozen memory of two lovers is washed away in time.

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100

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Poetry, interviews and conversations between plants, still trying to find out what is love.

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20

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Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

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“I love poetry because it makes me feel like my mind expands.” In Regard Silence, that's the very first sentence expressed—in sign language of course. Watching the poems signed by deaf people in this film has a similarly mind-expanding effect. That’s because sign language—the Mexican version in this case—is a very different means of communication than written or spoken language.

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6.3

/36/

40

/3/

Using Varsha Panikar's poetry series by the same name, it follows the journey of a poet as they rediscover love, passion, and identity after encountering their muse.

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A poem told through Rebecca, the American Girl Doll.

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This is not a poem about love

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A woman is tormented by a strange entity and someone else.

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A young boy recalls his grandmother’s guidance on how to cross the street, as he spiritually retraces this ritual in Manila—where memory, faith, and childhood converge.

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Four Montrealers search for their path within their failing metropolis, mirroring the deterioration of their deepest ambitions. A cinepoetic journey through Montréal- both modest and morose- woven together by the sounds of small things.

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A reflection on loss and nature’s quiet observance in a small nook of the Ozarks.

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A girl comes to the city for studying for the first time.

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A short anecdotal documentary about the nature of destruction, a debilitating deadlock of humanity.

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A granddaughter gives a new meaning to her grandma's death through previously unspoken memories.

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"Libertar" is a visual poem that reflects on the imprisonment of routine and the search for liberation through art. Amidst the daily monotony, the work proposes artistic expression as an act of resistance, capable of breaking invisible chains and rekindling hope.

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"To Hunger, From Thirst" is a visual poem that about the capacity of art to save and the positive impacts other artists can have, inspiring an artist to keep going even through the tough times of dealing with depression and anorexia, and how thanks to art, they're still here today. "To Hunger, From Thirst" has received awards for Best Editing at the ThawOut Film Fest in 2019 and an award for 2nd place in the 2020 Ketchikan Film Festival. Dedicated to Florence + the Machine and their song "Hunger." "To Hunger, From Thirst" is included in the poetry collection "Negative Fifty" by Sam Thompson.

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A short film by artist and writer Sarah Roselle Khan that includes footage of everyday British-Pakistani culture, scenes shot in Hackney Marshes and archival material. Combined with a confessional poetic monologue and an original score by musician Nadia Tehran, the film reflects on the complexity and alienation of navigating a cross-cultural existence in a homogeneous Western society - the cycle of disconnect with environment and homecoming to self through honest embodiment.

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Occasionally, "your own" life is only based on the lifes of the rest. The human being, cutted off from the cultural and social, finds things in common with the other of the antipodes. An essay of the common and the different. The protagonist writes a letter and digress and imagine, with what isn't theirs. Taking it, transforming it and turning into another part of their body.

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Philophobic delves into the complexities of modern relationships, offering a glimpse into the emotional journey of a young woman navigating love and fear. Through the lens of her bedroom and the use of viewmaster reels, viewers witness her struggle to reconcile her longing for connection with her deep-seated fear of vulnerability. As she grapples with her emotional detachment, Philophobic prompts reflection on the fragile nature of Gen Z relationships and the universal quest for validation.

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In this farewell letter to Ana (aka Anorexia), I reveal the suffering associated with this illness. I sincerely express my deep desire to regain my freedom and vitality by sharing not only my progress but also my relapses. Through the interweaving of drawings and poetry, I share this quest for reconstruction, which I hope will help raise awareness of this mental illness and bring a little hope to people affected by it and those around them.

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A filmographic essay featuring lines from "Bonedog" by Eva H.D. A pathos on memory, travelogue consciousness and the divets remaindered from environmental displacement.

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In the tradition of experimental genres such as the cut-up, collage, permutation, altered book, & erasure poem, ‘Burning Batteries’ dissects the idea of the book in both a literal & philosophical way. Books are usually thought of as 2D, static, fixed pieces of historically relevant narratives – ReVerse Butcher wants you to (re)think books as contested spaces for possible intervention, creative agency, & rebellion. She sees books as multi-layered places where multiple meanings hide behind the illusion of being locked-in by consensus reality.

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In this short from James Knight, a collection of Paul Celan's poetry is subjected to an electrical atomisation. Its words are severed from their material form. Knight composes through decomposition, pages disintegrate and reintegrate, and all the while the traces of their words remain fixed.

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Compiled from stock footage, Livestock is a visual poem exploring the digital, physical and metaphysical synergy of the modern workplace.

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Translated from a self-reflexive Chinese saying, Yun Lam Li's I thought of you often, this film is a visual poem about the meaning of aging within a culture that is not one's own.

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Sitting Idle (2021) is a meandering, meditative visual poem that follows the life of a nameless character over the course of a year - as he traverses across the country, meeting and living with friends along the way. Luke Olutunmogun presents an unconventional plot-free narrative that acts as a visual longitudinal study and diary - exploring feelings of loneliness, alienation, and jadedness amid the death throes of a decaying urban landscape.

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An experimental visual poem about a sick lonely old man stays in his big empty house, dreaming of a glorious life that he could have. In this dream, he plays a Rubik's Cube, which connects the memories of his prime in a paralleled universe, the chapters of love and pain.

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