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poster
71
64
6.9
/5079/
70
/187/
70
/130/
3.5
/3125/
77
/83/

Forbidden City Cop (1996)
An imperial agent gets ridiculed for his various inventions, until his supportive wife encourages him to attend a conference, which's actually a trap to kill all the doctors serving the emperor, where his crazy inventions come in handy.
poster
66
37
6.1
/663/
57
/58/
60
/31/
3.1
/1123/
100
/7/
60
/5/

The Movie Emperor (2024)
In an attempt to win back the public's interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.
poster
72
23
7.0
/503/
66
/12/
67
/12/
85
/22/

My Name Is Fame (2006)
Fai, a talented actor who has won the Best New Artist of the Hong Kong Film Awards and always plays leading roles in television, is an arrogant guy who does not cherish the opportunities given to him. As he keeps on criticizing his co-workers, his career and popularity gradually deteriorates. He is not offered leading roles anymore and has to take the parts of villains and rapists. Finally, he has even lost his job at the TV station. Fai becomes extremely depressed, but a twist of fate makes him become an agent for extras. As Fai gives pointers to a young girl named Fei, who truly loves acting, he regains his own enthusiasm towards acting and life.
poster
51
?
5.3
/281/
53
/8/
48
/5/

Simply Actors (2007)
When undercover cops start losing their lives to drug lords who blame their demise on "poor acting", the Police Force counters by sending Hong Kong's Finest to acting school.
poster
66
?
6.5
/172/
64
/7/
69
/8/

Those Were the Days (1997)
"Those Were the days" speculates on what would happen if a hot international art house director were transported back in time to the 1960s Hong Kong film industry. Highlights include: WKW meets Wong Jing as a child and profoundly influences career; WKW attempts to make his kind of films with the resources, talent, and expectations of 1960s HK filmmakers, and a lot of other Hong Kong /Wong Jing style zaniness.


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