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poster

70

51

6.6

/2659/

69

/197/

69

/115/

3.2

/21330/

88

/17/

64

/1/

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

poster

71

40

7.5

/305/

74

/36/

70

/22/

3.5

/2934/

70

/273/

In Rio de Janeiro, over many days, the director Maria Ramos witnesses and films the judgment of several teenagers accused of stealing, trafficking and murdering. Underage youths are protected by the Brazilian laws and their faces can not be exposed; therefore, they are replaced by teenagers from poor communities.

poster

62

33

6.3

/528/

64

/56/

66

/34/

2.8

/1940/

Larissa competed for the Rio Military Police in search of the ideal of “protecting the citizen”.

poster

73

27

7.5

/263/

76

/20/

70

/11/

3.7

/3178/

Leader of the student union, Saulo is the target of racist curses inside the classroom. When he retaliates, he is called to the principal's office, but refuses to suffer the consequences of the attack alone, since the aggressor is not responsible for his speech. Inspired by readings about the Black Panthers, the boy decides to stay in school until justice is done. Meanwhile, he exposes the neglect of the establishment's structure with his cell phone. Gradually, colleagues, teachers, directors and even politicians get involved in the conflict that is highlighted in the media.

poster

68

12

6.8

/230/

63

/3/

72

/3/

3.6

/852/

Since 2015, the Landless Workers Movement has been occupying an indebted sugarcane factory's land to press for its redistribution through land reform. Grandma, P.C. and their encamped fellows struggle to conquer a small share of land where they can settle down and live a self-sustainable life, growing agro-ecological crops in a newly knit peasant community they draw in their dreams.

poster

?

7.3

/18/

60

/4/

The film gets into the underworld of crimes involving homophobia, soccer organized fans, and gangs in Sao Paulo city. It shows the team’s work routine of DECRADI, the only unit specialized in this field, as they search for people who have made hate speech into cruel murders.

poster

70

?

7.3

/307/

72

/13/

65

/10/

3.7

/1476/

In Justiça, Maria Ramos puts a camera where many Brazilians have never been – a criminal courtroom in Rio de Janeiro, following the daily routine of several characters. There are those that work there every day (public attorneys, judges, and prosecutors) and those that are merely passing through (the accused).

poster

?

7.3

/14/

Histories of Hunger in Brazil is a documentary that sets a timeline of hunger in the country. From Colonial Brazil, where the seeds of social inequalities were planted, to the recent public policies that culminated with Brazil finally exiting UN official World Map of Hunger, we portray how the confrontation of this evil on the part of the society and of the government took place.

poster

?

With the stories of Aline Souza, Elaine Torres, Eulária de Jesus, Liane Pereira, Loanda Rufino and Rosimeire Miranda, the special highlights the protagonism of mothers in the favelas of Brazil.

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