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poster
70
59
7.1
/4393/
68
/65/
67
/52/
3.5
/1750/
73
/15/
73
/68/

The Man in the Gray Flannel Suit (1956)
Tom Rath is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria, which resulted in an illegitimate son he's never seen. Pressed by his unhappy wife to get a higher-paying job, Rath goes to work as a public relations man for television network president Ralph Hopkins. Drawn into poisonous office politics, Tom finds he must choose his career or his family.
poster
Kanopy
75
44
7.0
/1145/
67
/31/
64
/27/
3.8
/3223/
95
/21/
79
/8/

The Connection (1962)
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
poster
68
33
6.9
/1378/
70
/13/
60
/22/
3.5
/684/
70
/113/

Two Seconds (1932)
A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.


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