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67
64
6.4
/9190/
65
/346/
61
/178/
4.9
/1587/
61
/23/
66
/335/
58
/12/

Freaked (1993)
A vain actor, his best friend, and an activist end up at a mutant freak farm run by a weirdo scientist.
poster
75
54
7.4
/2387/
74
/60/
74
/87/
4.0
/15285/

Beauty and the Beast (1979)
Julie, the youngest daughter of a bankrupt merchant, sacrifices her life in order to save her father. She goes to an enchanted castle in the woods and meets Netvor, a bird-like monster. As Netvor begins to fall in love with Julie, he must suppress his beastly urge to kill her.
65
24
6.7
/400/
63
/10/
58
/17/
3.7
/1535/

The Metamorphosis of Mr. Samsa (1978)
An animated adaptation of Franz Kafka’s acclaimed novella, “The Metamorphosis,” made from carving images into sand with glass.
poster
62
22
6.9
/263/
60
/21/
58
/16/
3.4
/457/
5.9
/1885/

Memory (1964)
This is a short, privately produced animated film. While elucidating the mystery and fuzziness as well as merits and demerits of memory in idealizing reality, the story develops into a tale of destruction of human beings, turning the existence of the earth into a memory of the universe. The production, only 5 minutes long, greatly helps expand the viewer's imagination, embodying the enchantment of animation.
poster
61
9
6.6
/135/
57
/4/
56
/14/
3.4
/311/

Rhinoceros (1964)
Based on Eugene Ionesco’s play, this is an animated film warning that by conforming to patterns and living en masse, people will become rhinoceroses.
poster
?
6.4
/51/
20
/2/
50
/1/

Hypnerotomahia (1992)
An eight-minute Russian animation directed by Andrey Svislotskiy of Pilot Animation Studio LOOSELY based on the novel Poliphilo's Strife of Love in a Dream or The Dream of Poliphilus.
poster
?
6.7
/15/
60
/1/

Pussy Pumps Up (1979)
“In a wry exploration of women’s sexuality, the character Pussy demonstrates the play between the masculine and the feminine, the strong and the passive, the observer and the observed, as she metamorphoses between female, feline and male figures. As the film demonstrates, animation is a form ideally suited to render the process of metamorphosis.” —Dr. Marian Quigley
poster
?
6.7
/44/
50
/3/
70
/3/

Einmart (1981)
The very first images in the film set unprecedented standards in East German animated film: a Buñuelean eye that fills the entire screen, real-life sequences of fleeing animals and a sound collage running contrary to what is seen on the screen. This also extends to the protagonist of the film, a head on a foot without a body or arms who pads wearily through the depressing surroundings. Upon seeing various figures in the sky, he begins to copy their movements. To his surprise, he himself manages to grow wings and takes to the skies. But his attempt at flight ends in a sobering manner however, as it is revealed that flying creatures are just restricted in their range.


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