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poster

78

7.3

/2785/

71

/84/

67

/66/

3.7

/3624/

100

/13/

74

/24/

3.5

The true story of a part Aboriginal man who finds the pressure of adapting to white culture intolerable, and as a result snaps in a violent and horrific manner.

poster

73

7.1

/15892/

72

/514/

68

/216/

3.4

/10850/

91

/138/

76

/629/

67

/30/

3.0

age 13+

It's 1968, and four young, talented Australian Aboriginal girls learn about love, friendship, and war when they entertain the US troops in Vietnam as singing group The Sapphires.

poster

70

6.9

/2872/

69

/59/

68

/55/

3.6

/3548/

80

/5/

61

/44/

3.0

The Australian Aborigines (in this film anyway) believe that this is the place where the green ants go to dream, and that if their dreams are disturbed, it will bring down disaster on us all. The Aborigines' belief is not shared by a giant mining company, which wants to tear open the soil and search for uranium.

poster

74

68

6.9

/4848/

71

/202/

65

/107/

3.6

/4089/

93

/40/

77

/31/

75

/11/

In a traditional tribal society in the South Pacific, a young girl, Wawa, falls in love with her chief’s grandson, Dain. When an inter-tribal war escalates, Wawa is unknowingly betrothed as part of a peace deal. The young lovers run away, refusing her arranged fate. They must choose between their hearts and the future of the tribe, while the villagers must wrestle with preserving their traditional culture and adapting it to the increasing outside demands for individual freedom.

poster

64

6.9

/27043/

71

/966/

67

/416/

3.3

/12805/

52

/21/

74

/668/

51

/12/

2.5

age 14+

American Matt Quigley answers Australian land baron Elliott Marston's ad for a sharpshooter to kill the dingoes on his property. But when Quigley finds out that Marston's real target is the aborigines, Quigley hits the road. Now, even American expatriate Crazy Cora can't keep Quigley safe in his cat-and-mouse game with the homicidal Marston.

poster

81

47

7.7

/499/

82

/18/

80

/11/

3.9

/1903/

100

/11/

71

The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.

poster

66

30

6.5

/370/

54

/17/

60

/4/

3.3

/1202/

89

/9/

With problems on the home front, 15-year-old Murra is on the verge of lashing out. That is, until her policeman uncle thwarts her self-destructive behaviour with a lifeline: a “photo-safari for at-risk kids”. Murra isn’t entirely convinced, but she soon joins cantankerous Kylie, uptight Sean, happy-go-lucky Elvis, and camp counsellors Fernando and Michelle on a transformative bus trip to the Pilbara. On the trail, the teens learn about fun, friendship and first crushes, as well as the forces of ‘reality’ that puncture the bubble of youth.

poster

77

19

8.0

/534/

80

/23/

75

/8/

3.7

/962/

Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period.

poster

37

6

4.3

/512/

50

/21/

44

/11/

14

/2/

When Jarah loses her husband, her child, her land and her innocence she embarks on a brutal journey of of retribution and revenge that transforms into redemption and reconciliation.

poster

?

80

/1/

Archival photographs help reconstruct the life of white buffalo hunters, and the Aboriginal labour that supported them, in the remote wetlands of the NT in the 1930s. Former hunter Tom Cole visits hunting camps and discusses the trade.

poster

?

7.2

/13/

With a national vote approaching to enshrine Indigenous peoples voice in the constitution, a dynamic Indigenous youth group travel on a pilgrimage across Australia to commemorate a historic civil rights victory. Buoyed by the imminent referendum, the group voyage through ephemeral Australian landscape in the microcosm of a minibus, sharing the rich, multilayered stories of their personal histories, as they dream up a hopeful new vision for Australia. As the results of the vote are counted, it’s impact on their future offer two paths – a hopeful breakthrough or another chapter in the long fight for recognition.

poster

?

50

/2/

A portrait of an albino Aboriginal teenager, her feelings of alienation while at a convent boarding school, and her dreams of escape.

poster

?

7.5

/18/

100

/1/

Not only has she got pink extensions, painted on eyebrows, glitter stockings and superman hotpants, Starlady’s a youth worker in some of Australia’s most remote and challenging places. And she reckons that hairdressing can improve people’s lives. Like a real life Priscilla, Starlady takes us on a Queen of the Desert journey to Areyonga, an indigenous community in Central Australia, where she’ll work with a group of curious and cheeky young people.

poster

?

100

/1/

Narrated by award-winning actor and dancer David Gulpilil, Carriberrie guides audiences across a stunning array of iconic Australian locations and performances, from the traditional to contemporary. From ceremonial creation dances in the heart of the Outback, to honey gathering songs in the rain-forest, bush-punk band The Lonely Boys performing in Alice Springs and a finale featuring Ban-garra Dance Theatre by Sydney Harbour, Carriberrie brings together art, technology and Indigenous performance in inspired new ways.

poster

?

8.0

/12/

10

/1/

In 1832 the government of Van Diemen’s Land sent the last Aboriginal resistance fighters into exile at Wybalenna on Flinders Island, bringing an end to the Black War and opening a new chapter in the struggle for justice and survival by Tasmanian Aboriginal people. Black Man’s Houses tells a dramatic story of the quest by Aboriginal people to reclaim the graves of their ancestors against a background of racism and denial. Documenting a moving memorial re-enactment of the funeral of the great chief Manalargenna, the film also charts the cultural strength and resilience of his descendants as they are forced to fight for recognition in a society that is not ready to remember the terrible events of the past.

poster

?

8.6

/20/

In 1945, at the age of seven, a young Joe Eggmolesse was diagnosed with Leprosy. He was immediately removed from his family and home and transported under police escort over a thousand kilometres to be confined on an island for the treatment of the disease. For the next ten years, a leprosarium for Aboriginal people became his home. A lush tropical idyll off the north east coast of Australia, Fantome Island was the home to a close knit community of indigenous 'lepers' who made the most of their existence as people living on the fringes of the marginalised. Now as a 73 year old Joe reflects on his indelible Fantome years. His incredible, poignant story offers a profound insight into one of Australia's hidden histories.

poster

?

6.6

/33/

From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.

poster

?

8.8

/9/

Powerful and poignant, Her Name is Nanny Nellie offers us the rare privilege of bearing witness to a family reclaiming their history. In 1925, the Australian Museum commissioned three statues of ‘full blood ’Aboriginal people: a child, a man and a woman, exhibited as nameless objects to be studied as examples of a ‘dying race.’ The woman was Nellie Walker, Irene Walker’s great grandmother and director Daniel King’s great, great grandmother. Now Irene is on a journey to retrace Nellie’s life and to reconnect the other families to their ancestors’ statues and re-display them, this time with their names, identities and dignity. This is far more than a symbolic quest, but an opportunity to change how we remember and represent, and to give the nameless names.

poster

?

5.4

/7/

25

/2/

Loosely based on the filmmaker's personal experience, "Terra Nullius" is an impressionistic account of an eight year old Koori girl, Alice, growing up in a white adoptive family which denies her Aboriginality. The film examines how unacknowledged shame and fear passes from one generation to the next, from one culture to another. The last scene depicts a silent meeting between the young Alice and the adult Alice. In order to reclaim her life, Alice decides she must confront the pain and confusion of her childhood.

poster

?

10

/1/

10

/1/

An observational documentary which looks at Sydney’s first community Aboriginal radio station, 88.9 Radio Redfern. Set against a backdrop of contemporary Aboriginal music, 88.9 Radio Redfern offers a special and rare exploration of the people, attitudes and philosophies behind the lead up to a different type of celebration of Australia’s Bicentennial Year. Throughout 1988, 88.9 Radio Redfern became an important focal point for communication and solidarity within the Aboriginal community. The film reveals how urban blacks are adapting social structures such as the mass media to serve their needs.

poster

?

8.3

/33/

32

/5/

Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.

poster

?

8.2

/7/

50 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.

poster

?

80

/1/

Long thought to be the first film ever made by an Indigenous filmmaker, Black Fire examines the situation of First Nations people in the early 1970s through politically charged discussions, comical vox pops, and interviews with luminaries of the time such as Pastor Doug Nicholls and Aboriginal Tent Embassy co-founder Bertie Williams.

poster

?

7.9

/18/

80

/1/

The story of a Warlpiri woman, Audrey, and her Sicilian partner Santo as they navigate through colonial systems to keep the children they care for together. Audrey Napanangka was born at a time when the world was changing for the people in the Central Australian Desert. Settler colonisation was permeating the desert and forced changes and the fusion of two worlds shifted Audrey’s life forever. Today, Audrey raises young people to walk in many worlds, by centering culture, language, and Law in their lives alongside mainstream education. The intimate footage filmed over 10 years in Mparntwe (Alice Springs), Yuendumu and Audrey’s Warlpiri country Mount Theo, showcases a heartwarming story about the power of kinship and family in what is known as Australia.

poster

?

90

/2/

Set amidst the raw beauty of North East Arnhem Land , a small community has lost its school teacher due to government cutbacks. With the chance inheritance of a boat they see this as an opportunity to start a business and find the money to buy their own teacher. Things don't quite go as planned ! Starring a complete local cast from regional centre Nhulunbuy this unique film is a community project and a window into a part of Australia that is rarely seen. Grab a beer and enjoy the full movie at https://vimeo.com/728551246

poster

?

80

/1/

This film takes us on an emotional journey from sacred ground above Byron Bay to Antarctica, Indonesia to Pakistan, and is sure to light a fire under the strongest climate change denier. THE POWER OF ACTIVISM focuses on six highly spirited female activists as they are put under the microscope to ascertain the financial impact of their environmental solutions… and the results are astonishing. From shark conservation to indigenous practices, intensive farming to plastic pollution; all their ‘causes' fall under the umbrella of "climate change", but they should also fall under the umbrella of "saving tax payers hundreds of millions of dollars!”

poster

?

8.7

/12/

10

/1/

Adapted from the stage production of the same name, 'Basically Black' is a sketch comedy TV pilot that aired in 1973, and due to the provocative racial content, ABC never produced another episode. It stands as a historical milestone, the first television program and stage play completely created and written by Aboriginal Australians.

poster

?

7.5

/19/

Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.

poster

?

50

/1/

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

poster

?

7.1

/36/

50

/1/

Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.

poster

?

7.6

/30/

66

/3/

78

/2/

Narrated by Indigenous elder Balang T E Lewis, this inspiring documentary will take you on an adventure to explore the culture and wildlife of Australia’s remote wild north. Far Northern Australia is a land of extremes, from bushfires to torrential floods. Explore the wildlife and meet the people in Australia’s wild top end, from the Kimberley coast through the mysterious Arnhem Land, and deep into the world’s oldest rainforest in Cape York.

poster

?

7.9

/15/

80

/1/

80

/1/

The epic David vs Goliath battle for justice waged by the families of three Aboriginal children murdered in a small rural town 30 years ago, the system that failed them, and what it reveals about racism in Australia today.

poster

?

10

/1/

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.

poster

?

7.3

/21/

In a ravaged future-Australia, a solitary hermit guarding a priceless treasure is forced to offer sanctuary to a young girl who is fleeing murderous scavengers. With danger around every corner, can they learn to survive together?

poster

62

?

6.3

/62/

55

/2/

3.4

/236/

A white collector of Aboriginal art gets a shock when the Mimi sculpture she purchased comes to life.

poster

?

8.3

/70/

80

/5/

75

/4/

During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.

poster

?

6.7

/34/

Kate is on a plane taking Warren, her 18 year old Torres Strait Islander foster son, to meet Flo, his birth mother, who is gravely ill in hospital in Brisbane. Flo hasn't seen Warren since she took him to the hospital on Thursday Island when he was a toddler and the white authorities took him away. But as Warren, Flo and Kate all prepare themselves for the reunion, unbeknown to them, Kate's Brisbane based parents, Keith and Dellmay, are planning a different kind of reunion.

poster

49

?

6.5

/111/

40

/2/

42

/4/

Set in the 1890s in the central desert region of Australia, 'Serenades' tells the tale of Jila who is conceived when her Afghan cameleer father wins her Aboriginal mother in a card game.

poster

?

7.8

/13/

In search of his missing daughter, a young father must deal with his destructive actions and fears or lose everything he has.

poster

?

7.6

/17/

When two First World War enemy soldiers become stranded in no man’s land, an unlikely bond is formed. Will they still be able to pull the trigger if the time comes?

poster

?

7.4

/92/

30

/2/

66

/5/

An hour-long documentary on the life and career of actor David Gulpilil.

poster

?

6.6

/14/

60

/1/

A bitingly wicked take on first contact between British settlers and Aboriginal people – and zombies.

poster

?

6.5

/33/

76

/5/

Fresh out of the academy, White Cop experiences his first taste of Aboriginal community life, as Black Cop puts him to the test.

poster

?

6.4

/11/

They were Australia’s bad days. Men killed other men and laughed. All that was left for the children of the dead was to remember. If they had the strength.

?

40

/1/

A compelling portrait of an extraordinary figure, Aboriginal WWI soldier Douglas Grant, featuring acclaimed Indigenous actor Balang Tom E. Lewis (in his final performance). Grant (c.1885-1951) was extraordinarily famous in his day, an intellectual, a journalist, a soldier, a reader of Shakespeare and a bagpipe player who could put on a fine Scottish accent. His life story connects Archduke Franz Ferdinand, Adolf Hitler, and Henry Lawson among other famous figures as he moved from Australia to Europe, UK and back. Lewis’s thoughtful and often playful reflections on Grant’s life, along with guest appearances from Max Cullen and Archie Roach, connect to the larger story of Australia’s tragic colonial history and its troubled relationship with First Australians.  

poster

?

7.9

/44/

35

/4/

75

/2/

A feature documentary about opera singer Tiriki Onus who finds a 70-year-old silent film believed to be made by his grandfather, Aboriginal leader and filmmaker Bill Onus. As Tiriki travels across the continent and pieces together clues to the film’s origins, he discovers more about Bill, his fight for Aboriginal rights and the price he paid for speaking out.

poster

?

67

/8/

80

/1/

The story of a nation coming together around Indigenous athlete Cathy Freeman who delivered when it mattered on the greatest stage on earth. 20 years on, Freeman sheds light on one of Australia's proudest moments. In 49.11 seconds, Cathy Freeman's win at the 2000 Sydney Olympics brought Australia together as a nation.

poster

?

8.2

/7/

10

/1/

In the winter of 1991 an ABC film crew spent six weeks following Sydney's Redfern police. The inner city patrol of Redfern is predominantly working class with a large aboriginal and migrant population. The police in this film are general duties officers mostly on mobile patrols. At the time of filming 78% of police at Redfern were under the age of 25.

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