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poster

80

7.5

/347813/

73

/10684/

71

/7540/

3.5

/440378/

93

/232/

78

/8429/

83

/41/

4.0

age 8+

Orphaned and alone except for an uncle, Hugo Cabret lives in the walls of a train station in 1930s Paris. Hugo's job is to oil and maintain the station's clocks, but to him, his more important task is to protect a broken automaton and notebook left to him by his late father. Accompanied by the goddaughter of an embittered toy merchant, Hugo embarks on a quest to solve the mystery of the automaton and find a place he can call home.

poster

77

7.4

/6315/

73

/405/

72

/175/

3.7

/11688/

92

/48/

82

/73/

A documentary about the rise and fall of the Cannon Film Group, the legendary independent film company helmed by Israeli cousins Menahem Golan and Yoram Globus.

poster

73

6.6

/597/

63

/19/

69

/9/

3.2

/1582/

93

/55/

75

/11/

3.5

Directed by Mark Cousins, My Name is Alfred Hitchcock re-examines the vast filmography and legacy of one of the 20th century’s greatest filmmakers, Alfred Hitchcock, through a new lens: through the auteur’s own voice.

poster

68

6.2

/3225/

60

/80/

63

/81/

3.4

/11267/

90

/89/

51

/9/

76

/22/

3.0

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

poster

64

58

6.5

/6193/

66

/143/

63

/140/

3.2

/4369/

72

/68/

54

/102/

64

/23/

In the French Riviera in the summer of 1915, Jean Renoir, son of the Impressionist painter Pierre-Auguste, returns home to convalesce after being wounded in World War I. At his side is Andrée, a young woman who rejuvenates, enchants, and inspires both father and son.

poster

75

56

7.0

/3219/

69

/110/

71

/117/

3.8

/11839/

100

/8/

69

/4/

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

poster

75

41

6.9

/232/

69

/14/

65

/6/

3.4

/287/

100

/7/

86

/62/

74

/6/

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

poster

77

40

7.8

/726/

73

/13/

71

/14/

3.6

/410/

89

/9/

83

This eye-opening and bittersweet chronicle of the Yugoslavian film industry recounts how the cinema was used—often with direct intervention from President Josip Broz Tito—to create and recreate the young nation’s history, replete with heroes and myths that didn’t always hew closely to reality.

poster

63

37

6.8

/897/

68

/18/

63

/19/

3.4

/1069/

64

/28/

51

/27/

59

/10/

An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, and film excerpts — written and narrated by former Cahiers du Cinéma editor Antoine de Baecque.

poster

78

29

7.9

/342/

77

/14/

74

/14/

4.1

/1925/

Tells the story of a group of Chilean children who discover a larger reality and a different world through the cinema. Each Saturday, Alicia Vega transforms the chapel of Lo Hermida into a film screening room as she conducts a workshop for children under the auspices of the Catholic church. The hundred or so children involved had never seen a movie, and in the workshop they see and learn about the cinema: photograms and moving images, projection, camera angles and movement, film genres, and much more. And they watch movies: Chaplin, Disney, Lamorisse's 'The Red Balloon,' the Lumieres' 'The Arrival of the Train to the Station.' Finally, each child designs his own film with drawings. And then, for the first time in most of their lives, the children got to the movies in downtown Santiago.

poster

67

29

6.9

/837/

45

/14/

68

/28/

3.9

/1554/

79

/5/

The supremely world-weary Lemmy Caution, last seen in Godard's "Alphaville" (France/1965), has several strange encounters while trying to make his way from the former East Germany to "the west."

poster

70

28

7.2

/1038/

66

/25/

65

/28/

3.5

/1628/

81

/2/

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

poster

66

16

6.6

/781/

59

/10/

65

/23/

74

/2/

A theater projectionist's daughter is involved in the Resistance in WWII, but she doesn’t share his political involvement & only believes in passion. She follows the men she loves unconditionally, suffering betrayal and hardship.

poster

63

14

6.9

/214/

54

/7/

56

/9/

3.8

/825/

Godard constructs a lyrical study of the cinematic and creative process by deconstructing the story of his 1982 film Passion. “I didn’t want to write the script,” he states, “I wanted to see it.” Positioning himself in a video editing suite in front of a white film screen that evokes for him the “famous blank page of Mallarmé,” Godard uses video as a sketchbook with which to reconceive the film. The result is a philosophical, often humorous rumination on the desire and labor that inform the conceptual and image making process of the cinema.

poster

51

11

5.2

/464/

52

/29/

52

/17/

3.3

/255/

36

/6/

Madrid, Spain, 1975. Sandra, Lina and Eva are three beautiful women who work as actresses in erotic movies. After meeting during a shoot, they become friends and begin to share experiences, concerns and successes in an era of increasing openness, although true freedom is still far away and demands a price hard to pay.

poster

73

10

7.3

/390/

63

/8/

59

/11/

3.5

/269/

100

/4/

Surrealist master Luis Buñuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre.

poster

?

80

/1/

N/A

poster

?

4.8

/14/

A compilation of three short trick films by Georges Méliès: El melómano (1903) (The Melomaniac aka The Music Lover)(1903), El monstruo (1903) (The Monster) (1903) and El verdugo turco (1904) (The Terrible Turkish Executioner) (1904).

poster

?

7.6

/49/

100

/1/

From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

poster

?

5.9

/28/

35

/2/

53

/3/

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

poster

?

6.3

/24/

10

/1/

67

/3/

Among old films sent to pulp, the fortunate discovery of nitrates in country farmhouses and the rediscovered treasures of silent cinema, the work of safeguarding and conservation of the Italian Film Library in Milan.

poster

?

6.8

/29/

70

/1/

27

/4/

An examination of the work and lives of actresses in the Iranian film industry prior to the 1979 revolution, featuring myriad interviews and rare film clips.

poster

?

7.1

/23/

55

/2/

80

/2/

BBC documentary about the making of Steven Spielberg's Jaws.

poster

?

7.2

/63/

70

/2/

50

/1/

A look at the history of British B-movies.

poster

?

7.4

/97/

Natan tells the remarkable story of Bernard Natan, a Romanian immigrant who came to Paris in 1905 and was involved almost immediately with French cinema. He took control of the Pathe film group in the late 1920s and went on to produce epic films such as Les Miserables. But Natan has become largely written out of French film history for various different reasons. Little attention is paid to him centres on his alleged career as a pioneer and performer in early gay and BDSM porn? The story is an excellent one, suffice to say that his ethnicity and subsequent rumours plagued Natan almost from the start of his career. His ‘comeuppance’ for his alleged transgressions is at the heart of this devastating documentary.

poster

61

?

6.9

/397/

50

/12/

63

/11/

The story is narrated by ten-year old Staszek, who writes in his diary about his school-friend Jozef. Jozef comes from a family of blacksmiths, all of whom bear the name Jozef. Since he is the sixth consecutive son to be called Jozef, he is nicknamed Szustek (meaning "sixth one").

poster

69

?

6.8

/155/

70

/2/

69

/5/

Biography of Lucien Guitry, stage comedian, by his son, movie director, and a poetic reflection on the passionate love of both men for their chosen art forms.

poster

64

?

6.9

/148/

40

/2/

81

/7/

3.3

/282/

An exhilarating and amusing encyclopedic look at the "prehistory" of cinema. Werner Nekes charts the fascination with moving pictures which led to the birth of film, covering shadow plays, peep shows, flip books, flicks, magic lanterns, lithopanes, panoramic, scrolls, colorful forms of early animation, and numerous other historical artiffices. Working with these formats, early "producers" created melodramas, comedies, -- as well as lots of pornography -- anticipating most of the forms known today. Nekes probes these colorful toys and inventions in a rich and rewarding optical experience. Film Before Film is a bewildering assault of exotic (and sometimes erotic) images and illusions.

poster

?

7.5

/18/

N/A

poster

?

Film scholar David Bordwell discusses Ozu's 1959 color film Ohayo (Good Morning). He analyzes Ozu's use of color, composition, and his characteristic transitional shots. While some see this film as a remake of Ozu's 1932 silent I Was Born, But..., Bordwell believes the connection is not that simple, and contrasts elements of the two films, outlining Ozu's growth over his decades of work, and the variations he worked within his chosen limits.

poster

?

A look at the making of Dariush Mahrjui's 'The Cow' ('Gav'), considered by many to be the seminal film of the Iranian New Wave.

poster

?

An interview with director Jan Troell, conducted by critic Peter Cowie, on his epic Oscar-nominated masterpieces, The Emigrants (1971) and The New Land (1972).

poster

?

The film tells about Aleksandr Khanzhonkov - the first Russian cinema producer and famous film maker of pre-revolutionary Russia.

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