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poster
Kanopy
67
7.9
/12479/
79
/713/
75
/207/
3.0
/4112/
17
/6/
92
/444/
cc age 15+

The Red Pill (2016)
When a feminist filmmaker sets out to document the mysterious and polarizing world of the Men’s Rights Movement, she begins to question her own beliefs. Chronicling Cassie Jaye’s journey exploring an alternate perspective on gender equality, power and privilege.
poster
70
59
7.1
/4410/
68
/65/
67
/52/
3.5
/1816/
73
/15/
73
/68/

The Man in the Gray Flannel Suit (1956)
Tom Rath is a suburban father and husband haunted by his memories of World War II, including a wartime romance with Italian village girl Maria, which resulted in an illegitimate son he's never seen. Pressed by his unhappy wife to get a higher-paying job, Rath goes to work as a public relations man for television network president Ralph Hopkins. Drawn into poisonous office politics, Tom finds he must choose his career or his family.
poster
Kanopy
75
45
7.0
/1155/
68
/32/
64
/27/
3.8
/3594/
95
/21/
79
/8/

The Connection (1962)
A title card announces that the film is a result of found footage assembled by cameraman J.J. Burden working for the acclaimed documentary filmmaker Jim Dunn, who has disappeared. Leach, a heroin addict, introduces the audience to his apartment where other heroin addicts, a mix of current and former jazz musicians, are waiting for Cowboy, their drug connection, to appear. Things go out of control as the men grow increasingly nervous and the cameraman keeps recording.
poster
Hoopla
60
43
6.5
/3238/
70
/274/
61
/80/
2.7
/1146/
52
/7/

Christmas Next Door (2017)
Eric Randall, an author of bachelor lifestyle books, is left in charge of his young niece and nephew for the holidays. Eric turns to his neighbor April, a lover of all things Christmas, for help.
poster
66
22
6.9
/1387/
70
/13/
60
/22/
3.5
/732/
64
/5/

Two Seconds (1932)
A condemned murderer, in the process of being executed, relives the events that led to his being sentenced to die in the electric chair. Told in flashback, we witness a sleazy dancehall girl (Vivienne Osborne) dupe a high rise riveter (Edward G. Robinson) into marriage so she can live off of him. But when he loses his job and his marbles, she ends up supporting him with money from her side man--and misses no opportunity to rub it in his face that she's now supporting him in his emasculated state. As the animosity grows and things get more and more unbearable, he is eventually driven to desperate measures.


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