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poster
Kanopy
83
7.8
/16526/
76
/505/
75
/427/
4.2
/85220/
100
/6/
85
/245/

Meshes of the Afternoon (1943)
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
poster
76
73
7.9
/9148/
75
/349/
72
/223/
3.9
/22378/

Rejected (2000)
A hilarious collection of animated television commercials that were rejected because of their creator's failing grip on sanity.
poster
79
71
8.2
/6399/
78
/197/
75
/164/
4.1
/41925/

Don't Hug Me I'm Scared (2012)
A disturbing puppet short exploring the concept of creativity.
poster
80
69
7.7
/3555/
70
/62/
70
/60/
4.0
/13016/
100
/6/
87
/142/

Superstar: The Karen Carpenter Story (1987)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
poster
79
65
8.0
/3261/
76
/140/
76
/116/
4.2
/10127/

Everything Will Be OK (2006)
A series of dark and troubling events forces Bill to reckon with the meaning of his life… or lack thereof.
poster
76
64
7.6
/3297/
71
/103/
64
/76/
4.0
/7926/
92
/60/

Street of Crocodiles (1986)
A puppet, newly released from his strings, explores the sinister room in which he finds himself.
poster
Criterion Channel
70
63
7.0
/9854/
67
/170/
69
/347/
3.6
/59888/
73
/83/

The Big Shave (1967)
A young man walks into a meticulously clean and sterile bathroom and proceeds to shave away hair, then skin, in an increasingly bloody and graphic bathroom scene.
poster
Criterion Channel
68
63
6.7
/9367/
65
/228/
64
/239/
3.6
/40072/
76
/42/

The Alphabet (1969)
A woman's dark and absurdist nightmare vision comprising a continuous recitation of the alphabet and bizarre living representations of each letter.
poster
Kanopy
76
63
7.5
/3663/
70
/73/
72
/104/
4.0
/16106/
83
/566/

At Land (1944)
A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.
poster
Criterion Channel
70
63
7.1
/8041/
67
/177/
66
/177/
3.6
/26306/
76
/66/

The Grandmother (1970)
To escape neglect and abuse from his parents, a young boy plants some strange seeds and they grow into a grandmother.
poster
75
59
7.2
/2045/
72
/97/
67
/73/
3.8
/6157/
91
/715/

The Meaning of Life (2005)
Evolution on Earth over the course of a billion years.
poster
Kanopy
79
59
7.9
/4148/
72
/147/
75
/120/
4.0
/15095/
93
/13/

Neighbours (1952)
In this Oscar-winning short film, Norman McLaren employs the principles normally used to put drawings or puppets into motion to animate live actors. The story is a parable about two people who come to blows over the possession of a flower.
poster
77
57
8.0
/2497/
77
/89/
76
/81/
3.9
/3827/

Powers of Ten (1977)
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand.
poster
Kanopy
73
55
6.9
/1971/
68
/48/
69
/64/
3.9
/7141/
84
/465/

Ritual in Transfigured Time (1946)
A social event choreographed in the manner of a dance, illuminated by concepts drawn from Greek legend; one of filmmaker Maya Deren's most intriguing works.
poster
62
55
5.8
/8697/
50
/162/
48
/85/
3.0
/12150/
95
/37/

Gayniggers from Outer Space (1992)
Extraterrestrial beings travel the galaxy to free men "oppressed" by females to make way for an entirely-homosexual society.
poster
MUBI
70
50
7.2
/2045/
68
/71/
65
/66/
3.9
/21387/

Asparagus (1979)
A symbolic reflection on issues of female sexuality, art and identity constructs.
poster
68
49
7.0
/2487/
66
/55/
66
/80/
3.6
/5670/

Meat Love (1989)
Two pieces of meat fall in love.
poster
63
49
6.5
/2142/
60
/60/
59
/70/
3.6
/5836/
64
/498/

Invocation of My Demon Brother (1969)
The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.
poster
74
48
7.0
/670/
65
/25/
63
/37/
3.8
/1718/
100
/51/

Cosmic Ray (1962)
Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions.
poster
Kanopy
64
48
6.9
/1888/
56
/57/
65
/45/
3.6
/4312/
60
/379/

Eaux d'Artifice (1953)
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four Seasons plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it water games.
poster
61
48
6.2
/3026/
55
/80/
56
/96/
3.6
/12315/

Mothlight (1963)
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
poster
73
48
7.5
/2572/
65
/47/
68
/72/
4.0
/8296/
81
/13/

Window Water Baby Moving (1959)
On a winter's day, a woman stretches near a window then sits in a bathtub of water. She's happy. Her lover is nearby; there are close ups of her face, her pregnant belly, and his hands caressing her. She gives birth: we see the crowning of the baby's head, then the birth itself; we watch a pair of hands tie off and cut the umbilical cord. With the help of the attending hands, the mother expels the placenta. The infant, a baby girl, nurses. We return from time to time to the bath scene. By the end, dad's excited; mother and daughter rest. Preserved by the Academy Film Archive in 2013.
poster
JustWatch TV
62
48
6.4
/2246/
70
/434/
64
/193/
2.8
/1402/
54
/14/

Big Buck Bunny (2008)
Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.
poster
63
47
6.5
/2081/
61
/40/
60
/54/
3.3
/2938/
63
/53/

The Severed Heads (1957)
A short mime adaptation of a Thomas Mann story about a Parisian urchin who makes her living selling human heads.
poster
Criterion Channel
73
46
7.4
/2463/
68
/66/
70
/72/
3.9
/6141/
76
/9/

Film (1965)
A man attempts to evade observation by an all-seeing eye.
poster
79
46
7.9
/2616/
74
/86/
75
/45/
3.9
/2137/
90
/2/

The Dam Keeper (2014)
In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam's operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig's class, nothing will be the same again.
poster
64
46
6.4
/2392/
57
/57/
62
/110/
3.5
/7525/

Return to Reason (1923)
Experimental film, white specks and shapes gyrating over a black background, the light-striped torso of Kiki of Montparnasse (Alice Prin), a gyrating eggcrate. One of the first Dadaist films.
poster
56
46
5.3
/3345/
50
/68/
52
/91/
3.5
/9992/
56
/43/

Wavelength (1967)
Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.
poster
71
45
6.3
/1541/
56
/37/
61
/50/
3.6
/1947/
100
/9/
78
/3/

Prelude: Dog Star Man (1962)
A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.
poster
Criterion Channel
53
45
5.5
/5243/
48
/121/
51
/131/
2.9
/12058/

The Amputee (1974)
A double amputee attempts to write a letter while her nurse gets in the way. [The Amputee was produced in order to test two different black and white video stocks for the American Film Institute. There are therefore two different versions of the film, each using the same script but shot on different stocks and differing in other incidental ways in terms of performance, sound design and duration. This is Version 1.]
poster
Criterion Channel
62
45
6.5
/2499/
60
/64/
57
/61/
3.4
/8993/

It's Not Just You, Murray! (1964)
A middle-aged mobster reflects on his rise from bootlegger to success, crediting his longtime friend Joe for his good fortune—unaware that Joe has been betraying him all along, both in business and at home.
poster
Kanopy
61
45
6.2
/2822/
59
/65/
60
/69/
3.2
/3359/

Electronic Labyrinth: THX 1138 4EB (1967)
In an underground city in a dystopian future, the protagonist, whose name is "THX 1138 4EB", is shown running through passageways and enclosed spaces. It is soon discovered that THX is escaping his community. The government uses computers and cameras to track down THX and attempt to stop him; however, they fail. He escapes by breaking through a door and runs off into the sunset. The government sends their condolences to YYO 7117, THX's mate, claiming that THX has destroyed himself. Electronic Labyrinth: THX-1138 4EB is a 1967 science fiction short film written and directed by George Lucas while he attended the University of Southern California's film school.
poster
70
44
7.2
/1598/
67
/30/
65
/38/
3.9
/4150/

Jabberwocky (1971)
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
poster
66
43
6.9
/1533/
62
/39/
65
/46/
3.6
/3775/

A Movie (1958)
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
poster
62
43
6.3
/1657/
54
/57/
61
/53/
3.5
/3199/

Report (1967)
Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert authority and apply a sense of order to the anarchic. And though it may sound perverse to say so, the film is also—not incidentally—a thrill to watch. -- The A.V. Club
poster
Criterion Channel
60
43
6.4
/3009/
62
/81/
60
/74/
3.4
/13359/
49
/15/

What's a Nice Girl Like You Doing in a Place Like This? (1963)
A writer named Algernon becomes obsessed with a picture of a boat on his wall, an fixation that soon consumes his thoughts and daily life. He tries to recover through therapy and marriage, but his compulsions return—drawing him deeper into the image until he vanishes within it.
poster
73
43
7.8
/2685/
68
/35/
76
/33/
3.6
/1069/

Troops (1997)
Stormtroopers on Tatooine show us what life is like patrolling and law-upholding on the sandy planet. While being filmed for the hit Imperial TV show TROOPS, Stormtroopers from the infamous Black Sheep Squadron on patrol run into some very familiar characters.
poster
70
43
6.0
/1617/
50
/50/
62
/48/
3.5
/1563/
100
/9/
78
/3/

Dog Star Man: Part I (1963)
From a murky landscape, a wooded mountain emerges. We watch the sun. We see a bearded man climbing up the mountain through the snow. He carries an ax, and he's accompanied by a dog. His labors continue. There is no soundtrack. Images rush past - water, trees, and surfaces too close up to distinguish. He struggles. A fire burns. Nature, in long shots and magnified, is formidable and silent. It's tough going; he carries on. In a capillary, blood flows.
poster
56
42
5.5
/2760/
54
/65/
54
/78/
3.1
/5294/

Darkened Room (2002)
Two young women find themselves in a dark room where there is a distinctly strange feeling.
poster
60
42
6.3
/1544/
55
/20/
61
/47/
3.1
/3395/
60
/312/

Amblin' (1968)
Two wanderers, a young man and a young woman, meet in the desert and decide to travel on together. The two travellers walk and hitch-hike their way down the road to their destination, the beach, becoming friends and lovers.
poster
79
42
8.1
/474/
77
/52/
74
/33/
4.2
/4519/

DAICON IV Opening Animation (1983)
Set to "Twilight" by Electric Light Orchestra, the girl from DAICON III has become a bunny suit-clad fighter, getting around on a mysterious flying sword, taking on the villains of sci-fi and popular fiction. What will become of the world after this?
poster
70
42
7.5
/1382/
60
/17/
72
/40/
3.8
/1657/

The Death of Stalinism in Bohemia (1991)
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution).
poster
71
41
6.3
/1234/
52
/31/
65
/42/
3.6
/1264/
100
/9/
78
/3/

Dog Star Man: Part II (1963)
A man, accompanied by a dog, struggles through snow on a mountain side. We see film stock blister; drawn square shapes appear. Then, we see an infant's face. The images of struggling climber, baby, blurred film stock, large snow flakes, and what may be microscopic details of matter are superimposed on each other, one dominating the frame briefly to be replaced by another. As the man falls in the snow and tries to regain his feet, the baby continues to appear, first with eyes closed. Alternately, images rush by - montages of paper cutouts and life under a microscope.
poster
64
41
6.4
/1016/
56
/52/
64
/59/
3.7
/5663/

Stellar (1993)
This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.
poster
70
40
6.3
/1220/
50
/30/
61
/40/
3.6
/1249/
100
/9/
78
/3/

Dog Star Man: Part IV (1964)
A man is supine on a mountain side. Images rush past of nature and a stained glass saint. An infant is born. We see a lactating nipple. Images include a mountain peak, farm buildings, a tree stump, a fire, a crawling baby, and the sun. The man falls and rolls. Then, later, he swings his ax.
poster
70
40
6.3
/1199/
46
/30/
61
/41/
3.6
/1213/
100
/9/
78
/3/

Dog Star Man: Part III (1964)
Sexual intimacy. Three kinds of images race past, superimposed on each other sometimes: two bodies, a man and a woman's, close up, nude - patches of skin, wisps of hair, glimpses of a face and genitalia; strips of celluloid with lines and squiggles scratched on them; and, close-up shots of what appear to be the insides of living bodies - a heart beating, muscle and sinew and tissue wet with fluids. The exterior and interior of desire.
poster
56
37
5.5
/1680/
50
/37/
56
/57/
3.1
/3430/

Nocturne (1980)
It's night. Perhaps after a dream of an intruder crashing through a window, a woman who's sensitive to light has a telephone conversation with a friend. The woman has a plane ticket from Copenhagen to Buenos Aires at 6 that morning. She doesn't want to go. Her friend encourages her to make the trip. Later, she stands in a car park with her suitcase. Flying geese fill the screen.
poster
Criterion Channel
64
37
6.7
/776/
50
/22/
64
/31/
3.9
/2763/

Hapax Legomena I: Nostalgia (1971)
Michael Snow narrates a series of Hollis Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate.


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