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poster

72

7.1

/16548/

71

/408/

66

/319/

3.5

/8311/

80

/129/

75

/705/

65

/31/

3.5

age 16+

A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

poster

78

54

8.2

/1435/

79

/45/

76

/38/

4.3

/4872/

67

Chronicles the events immediately surrounding the CIA- supported coup itself.

poster

63

53

6.5

/4115/

63

/60/

65

/69/

3.6

/11407/

50

/8/

62

/124/

A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.

poster

74

50

7.6

/1175/

73

/44/

73

/34/

4.1

/3729/

67

Guzmán’s final installment shifts from covering the actions of Allende’s opponents to those who battled to revive & promote their toppled leader’s vision for a new Chile.

poster

73

44

7.4

/1796/

68

/40/

67

/54/

3.7

/1162/

80

/5/

75

/10/

An adaptation of Émile Zola’s 1877 masterpiece L’assommoir, the film is an uncompromising depiction of a lowly laundress’s struggles to deal with an alcoholic husband while running her own business.

poster

67

24

6.2

/647/

66

/22/

64

/41/

3.5

/666/

76

/7/

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

poster

72

12

7.4

/152/

75

/12/

68

/15/

3.7

/266/

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

poster

?

7.2

/14/

100

/1/

The story of Algerian women trying to live in 1970s Algeria where the society is between conservative values and progressive modern Algeria.

poster

76

?

8.4

/37/

68

/5/

85

/2/

3.4

/245/

In 2007, the Writers Guild of America, the Screenwriters Union, hit an impasse in their contract negotiations with the Studios. At the center of the dispute was jurisdiction over the internet. Unable to make progress, the WGA called a strike which brought Hollywood to a halt for 100 days.

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