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poster

68

6.2

/3210/

60

/80/

63

/80/

3.4

/11125/

90

/89/

51

/9/

76

/22/

3.0

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

poster

70

60

6.8

/3267/

65

/35/

67

/38/

3.9

/4940/

68

/57/

72

/92/

77

/19/

A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.

poster

73

47

6.2

/1477/

57

/39/

65

/43/

4.0

/7115/

100

/9/

78

/3/

Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.

poster

56

46

5.3

/3326/

50

/68/

52

/91/

3.5

/9579/

56

/43/

Wavelength consists of almost no action, and what action does occur is largely elided. If the film could be said to have a conventional plot, this would presumably refer to the three “character” scenes. In the first scene two people enter a room, chat briefly, and listen to “Strawberry Fields Forever” on the radio. Later, a man (played by filmmaker Hollis Frampton) enters inexplicably and dies on the floor. And last, the female owner of the apartment is heard and seen on the phone, speaking, with strange calm, about the dead man in her apartment whom she has never seen before.

poster

71

31

7.2

/416/

71

/14/

65

/20/

3.8

/2173/

A study of human anxieties about beauty, youth and objectification.

poster

43

30

4.6

/1219/

36

/19/

42

/54/

3.0

/2806/

31

/494/

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

poster

38

15

3.5

/563/

23

/9/

36

/23/

2.9

/974/

Footage of John Giorno sleeping for five hours.

poster

67

?

6.5

/794/

61

/23/

62

/27/

3.9

/2902/

Drawing inspiration from a poem penned by Castro Alves, this film vividly captures the political, cultural, and intellectual climate of Brazil during the late 1970s. At its core, the story revolves around four distinctive embodiments of Christ's image: a black man, a soldier, an Indian, and a guerrilla fighter. These courageous individuals, hailed as the harbingers of doom in the tupiniquim lands, valiantly combat the insatiable avarice and oppressive "civilizing" brutality propagated by the formidable John Brahms—a foreign exploiter devoid of morals.

poster

?

7.0

/57/

90

/5/

Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.

poster

?

Years in the making...after countless probation violations, several horticulture degrees, and one forced trip to Indonesia....Crazy Dave Three is finally done. After viewing, Guru Singh ripped off his clothes and destroyed his refrigerator with a metal pipe. After that we knew it was ready for the general public. If Crazy Dave Two was force fed acid, speed, and hamburger pretzels, the end result would be Crazy Dave Three. Expect your greatest worst nightmares during late night party situations!

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