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poster

70

65

7.1

/9528/

67

/162/

69

/200/

3.8

/17478/

67

/6/

74

/109/

71

/8/

71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.

poster

60

6.7

/2289/

68

/80/

63

/57/

3.2

/1213/

67

/88/

65

/14/

53

/21/

1.5

Firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness, two implacable enemies in Northern Ireland, are forced to take a short journey together in which they will take the biggest leap of faith and change the course of history.

poster

52

34

6.2

/2265/

60

/38/

54

/49/

3.0

/1399/

28

/40/

London, 1888: on the night of the third Jack the Ripper killing, soft-spoken Mr. Slade, a research pathologist, takes lodgings with the Harleys, including a gloomy attic room for "experiments." Mrs. Harley finds Slade odd and increasingly suspects the worst; her niece Lily (star of a decidedly Parisian stage revue) finds him interesting and increasingly attractive. Is Lily in danger, or are her mother's suspicions merely a red herring?

poster

73

11

7.6

/189/

75

/13/

67

/10/

3.7

/397/

Recounts Ireland's history from British colonization to the territory's division in 1922, then from 1968 details a decade of events through images and eyewitness accounts of killings and such massacres as the infamous "Bloody Sunday" as the IRA argues their cause.

poster

53

11

6.3

/709/

45

/5/

63

/14/

43

/2/

A former Irish Republican Army fighter, Gingy McAnally (Anthony Brophy), is reluctant about being called back into service after serving time in prison. He executes the grisly task but ends up captured by a sympathetic British police lieutenant named Ferris (Cary Elwes). The intimidating Chief Inspector of the Belfast Police (Timothy Dalton) convinces Gingy that his best hope is to become an informant and turn in other IRA operatives. As Gingy's marriage unravels under the stress, he is forced to come to terms with the fact that in this war both sides lose. Three men, three political circles, each fighting for their lives, each with their own agenda in the battle for Northern Ireland.

poster

?

5.0

/10/

Documentary about the 12th of July parade in the Northern Irish town of Portadown, where disputes about the route the parade takes through town is the cause for ongoing disputes between the protestant and catholic communities.

poster

?

6.7

/31/

70

/2/

80

/1/

Ardal O’Hanlon explores a 1930s quest to find the first Irish men and women using archaeology, answering his deepest questions about what it means to be Irish.

poster

?

7.9

/332/

80

/3/

Richard Dawkins looks at Government funded faith schools and the effect they could have on children.

poster

?

8.0

/29/

70

/1/

63

/3/

60

/7/

This remarkable documentary, made over a nine year period, charts the story of Bernadette Devlin McAliskey’s political journey since her explosive entry into the public arena in the late sixties. Combining archive footage with a series of intimate interviews conducted with Devlin McAliskey, director Lelia Doolan perfectly encapsulates the idiosyncrasies and rebelliousness which has fuelled her subject’s pivotal role at the heart of civil rights, feminism and socialism in Northern Ireland. Bernadette is a fascinating and powerful account of this firebrand figure, an impressively rounded depiction of a woman blessed with incredible eloquence, clarity and firm socialist principles.

poster

?

7.8

/84/

45

/2/

Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)

poster

?

8.6

/32/

20

/1/

Fifty years since the start of The Troubles, the film captures the remarkable history of the Irish national rugby union team, which despite violence, opposition and partition in Ireland, has brought together players and fans from two countries and united them on and off the rugby pitch. BT Sport ambassador, and former Ireland and British & Irish Lions captain Brian O’Driscoll, takes viewers on a powerful journey as he explores how Irish rugby manages to navigate and nurture a successful team through the years of violence that have claimed the lives of more than 3,500 people. Ireland has been divided not just on a map but by politics, history and religion. However, the Irish Rugby Union has continued to be the governing body of rugby, leading to the remarkable situation of players from two countries competing as one.

?

5.1

/38/

20

/1/

It's Samhain (Hallowe'en) in old Ireland, and King Connor is haunted by his life, his legacy, and the enemies he killed in his time. Based on the famous Ulster Cycle.

poster

64

?

6.4

/395/

55

/12/

69

/6/

71

/2/

At the beginning of the 20th century, a young servant provokes an independent Irish farm community by her relationship with two brothers. Pregnant, she refuses to reveal the name of the father.

poster

?

7.2

/39/

70

/1/

50

/2/

John T. Davis’ first in a trilogy of films (including Protex Hurrah (1980) and Self-Conscious Over You (1981)) exploring the Belfast filmmaker’s local subculture and American cultural influence. It provides a look at the burgeoning punk scene in Northern Ireland, featuring early footage of bands such as Stiff Little Fingers, The Undertones, Protex, The Outcasts, and Rhesus Negative, among others. (from: http://artistsspace.org/programs/shellshock-rock/)

?

Memorable attack by the southern Irish government on sectarian Northern housing policies in Fintona, Co. Tyrone.

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